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1.
To measure the relative gamut sizes of wide‐gamut displays, it is herein proposed that the CIE 1931 xy chromaticity diagram be used rather than the nominally perceptually uniform CIE 1976 uv′ chromaticity diagram. High correlations were found between the area‐coverage ratios in the xy diagram and the volume‐coverage ratios in the CIE 1976 L*a*b* color space for major standard wide‐gamut color spaces. It is also demonstrated herein that performing planimetry in the uniform uv′ diagram does not yield accurate relative display gamut sizes, even though the large sizes obtained using the uv′ diagram are often reported regardless of the fact that its uniformity is valid only when the luminance factor is constant. The single display gamut size metric using the xy diagram will facilitate the unbiased development of wide‐gamut displays.  相似文献   

2.
Abstract— Color‐gamut design is a major concern in wide‐gamut displays. To determine a preferred gamut for displaying object color in natural scenes on a wide‐gamut display, subjective evaluations were conducted to investigate the preferred color and acceptable limit. Then, simple synthesized images were used to determine the mode boundary between surface color and fluorescent color appearance. It was found that (1) observers perceived the colors with high saturation and high lightness as fluorescent colors and (2) the fluorescent appearance decreased preference. The color‐mode index (CMI) was defined as an evaluation index of the color‐appearance mode so that the boundary between surface color and fluorescent color appearance was defined as CMI 100. Additionally, it was found that the CMI 100 loci could be interpreted as an optimal color loci. Then, it was clarified that the mode boundary and the preferred gamut were closely related and that the acceptable limit for L* was 1.1 times L* for CMI 100.  相似文献   

3.
There are claims that multi‐chromatic displays can achieve a wider color gamut by the use of additional highly saturated secondary color channels. However, there are other claims that these displays lose lightness and/or color saturation at brighter levels. These apparently divergent views have led to some controversy in the display industry and at standard setting organizations. This study examines the color gamut volume for a variety of simulated and measured multi‐chromatic (sometimes incorrectly referred to as “multi‐primary”) displays using combinations of white and/or secondary color channels, such as cyan, magenta, and yellow. Furthermore, a two‐dimensional gamut representation, referred to as “gamut rings,” is introduced to illustrate that the addition of nonprimary optical color channels to a trichromatic (RGB) display can result in a significant decrease in the chroma at higher lightness levels. The additional saturated color channels can increase the gamut volume only around their hues at darker levels. The results also confirm the validity of comparing the color light output and white light output for revealing the design trade‐offs between the high‐peak white and the color‐image brightness for multi‐chromatic displays.  相似文献   

4.
It is herein proposed to measure display gamut sizes by employing the International Telecommunication Union—Radiocommunication Sector Recommendation BT.2020 (Rec. 2020) area‐coverage ratios in the xy chromaticity diagram rather than the standard gamut area metrics that use the horseshoe‐shaped spectrum chromaticity area as the target in the u′v′ chromaticity diagram. It is more reasonable to use the Rec. 2020 gamut than the spectrum gamut as the target because the Rec. 2020 area‐coverage ratios in the xy diagram are better correlated than the spectrum area‐coverage ratios with the volume‐coverage ratios of object color gamuts that are visually significant in displaying natural scenes.  相似文献   

5.
Abstract— The effect of varying the color gamut of an extended‐gamut LCD on color appearance and preference was measured psychometrically in two experiments at each of two separate laboratories over a representative set of 10 images each. The first experiment measured the effect of color gamut on appearance, and the effect on the appearance attribute colorfulness was shown to be relatively strong compared with other attributes as the volume of display color gamut is varied. Overall, colorfulness monotonically increased at constant sensitivity as the gamut area in xy chromaticities increased while tending to become less and less sensitive to increasing the gamut volumes in CIELAB and CIECAM02. In the second experiment, the overall preference indicated an optimal color gamut for the display gamut volume even though the results were shown to be highly scene dependent.  相似文献   

6.
Abstract— A control sequence gives the intensities of the primaries for a pixel of a display device. The display gamut, i.e., the set of all the colors that a display can produce, is a zonohedral subset of CIE XYZ space and contains both boundary and interior colors. Displays with four primaries or more exhibit metamerism, in which different control sequences produce colors that appear identical to an observer. This paper shows mathematically that, provided no three primaries are linearly dependent, metamerism can only occur for interior colors. When there are four or more primaries, metamers can always be found for interior colors. A color on the gamut boundary, by contrast, is only produced by a unique control sequence. The proof used for displays can be extended to object‐color solids, to show that optimal colors, which are on the boundary of an object‐color solid, have unique reflectance functions.  相似文献   

7.
Abstract— A method for selecting primaries of a wide‐gamut display is proposed, in which display color gamut is designed to match a target color gamut in CIELAB color space. A standard deviation of the relative maximum chroma of display and target color gamuts is defined. The selection method optimizes display primaries for the minimum standard deviation so that display and target color gamuts are similar in shape. It is shown that the color gamut of a laser display designed by this method is similar in shape to the theoretical maximum, or optimal, color gamut of objects. It is also shown that the color gamut of an LED display can be designed to include 99.7% of the gamut of Pointer's real‐world surface colors. LED primaries are selected to minimize the standard deviation of the relative maximum chroma of effective display color gamut and a target color gamut which is defined to include Pointer's real‐world surface colors. For both the laser and LED displays, it is necessary to constrain the red‐primary wavelength to avoid excessive optical power for the red primary.  相似文献   

8.
Abstract— With the development of wide‐gamut display technology, the need is clear for understanding the required size and shape of color gamut from the viewers' perspective. To that end, experiments were conducted to explore color‐gamut requirements based on viewers' preferred level of chroma enhancement of standard‐gamut images. Chroma preferences were measured for multiple hues using single‐hue images, and a corresponding hue‐dependent preferred chroma enhancement was successfully applied to natural, multi‐hue images. The multi‐hue images showed overall success, though viewers indicated that reds could be decreased even further in colorfulness, and yellows could be increased, which may argue in favor of multi‐primary displays. Viewer preferences do vary within the population, primarily in overall chroma level, and the differences can be largely accounted for with a single parameter for chroma‐level adjustment that includes the preferred hue dependence. Image content dependencies were also found, but they remain too complex to model. The hue‐dependent chroma preference results can be applied to display design and color‐enhancement algorithms.  相似文献   

9.
Abstract— Display primaries are optimized for the trade‐off between the total primary power and color gamut under the requirement that a target color gamut is enclosed by the color gamut of the display. LED displays and HDTV color gamut are taken as examples. Compared to the display using a set of typical commercial RGB LEDs, it was found that a total optical (electrical) power of 23.6% (15.6%) can be saved for the display using optimal RGB LEDs. Although the size of the display color gamut is sacrificed, the color gamut of the display using optimal RGB LEDs still encloses the HDTV color gamut. The combined effect of the LED luminous efficiency and white‐point condition on the determination of the optimal LED wavelengths and bandwidths is also studied.  相似文献   

10.
Abstract— An adjustable‐color‐gamut dual‐gap RGBW transflective liquid‐crystal display that uses a four‐color manufacturing process and a color‐processing algorithm to achieve the appropriate color performance in both the transmissive and reflective modes is presented. Based on superior‐color‐transformation units, the total brightness and color gamut can be modified under different ambience. The highest NTSC color gamut in the reflective mode (reflectance, 4.4%) that has been fabricated successfully for a RGBW 1.5‐in. dual‐gap panel is 23% with a 7%, 17%, and 40% NTSC color gamut in the transmissive mode by using different algorithms. Compared to a typical RGB panel, it not only provides flexibility for any environment but also satisfies a variety of personal requirements. Based on personal preference, users have more choices to adjust the LCD settings such as color saturation, brightness, etc. The smart RGBW TRLCD will definitely become the developing trend towards sunlight‐readable LCDs in the near future.  相似文献   

11.
基于B样条色域描述的颜色匹配   总被引:3,自引:0,他引:3       下载免费PDF全文
目前的色域匹配算法大多在等色调平面上进行,设备的色域边界以三角形近似描述,难以实现颜色的准确再现。该文分析了设备色域剖面的形状,提出了用准均匀B样条曲线来描述色域边界,设计了基于该样条曲线描述的CUSP色域匹配算法。实验结果表明,基于B样条色域描述的颜色匹配明显提高了色彩的再现精度,可显著提高打印输出彩图的质量。  相似文献   

12.
Senfar Wen   《Displays》2005,26(4-5):171-176
Multi-primary displays have the advantage of large color gamut. The relative primary luminances of a conventional three-primary display are uniquely determined by its white point. There are N−3 degrees of freedom for choosing the relative primary luminances of an N-primary display with a given white point. This paper presents the methods designing the relative primary luminances of four-primary displays. A four-primary LED display is taken as an example for showing the methods. The maximum display luminance and color gamut are, respectively, taken as an additional requirement for determining the relative primary luminances of the display. The requirement of the maximum display luminance is taken for a set of available primary luminances. The gamut volume in CIELAB color space is defined for maximizing the display gamut. In practice, the design of the relative primary luminances may be a compromised result of the two additional requirements.  相似文献   

13.
Abstract— The advantage of RGB color‐sequential displays is that they have no color filters, but the disadvantage is that they need to run at high refresh rates (> >180 Hz) to prevent flicker and color breakup. An alternative color‐sequential display, which can operate at relatively low refresh rates (~ 100 Hz) without disturbing color breakup or flicker, has been developed. The display has two color filters per pixel (cyan and magenta) on the LCD panel and the backlight can generate two types of spectra (blue‐green and green‐red), which results in a wide gamut four‐primary display, effectively. One part of the paper describes the color reproduction, including color‐filter design, gamut mapping, and multi‐primary conversion. The other part deals with the reduced perception of color breakup on the novel spectrum‐sequential display compared to conventional color‐sequential displays.  相似文献   

14.
打印机色域可视化   总被引:3,自引:0,他引:3  
针对色彩管理应用需求,给出一种打印机最大色域的生成,提取及可视化方法,通过优化CMYK四色墨水组合得到最大色域样本集,利用凸壳算法构造其几何模型,可对用几何模型描述的色域进行剖面操作,最后对色域及其剖面进行真彩可视化,基于上述技术的可视化软件已在VisualC 6.0下实现,可用于设备彩色特性,分色方法和色域映射算法的辅助研究。  相似文献   

15.
Television broadcasts are moving to a digital video format based on ultra‐high‐definition (UHD). In addition to high resolution, such UHD displays require a wide color gamut. Quantum dots (QDs) have narrow and color‐tunable emission making these unique light sources for achieving a wide color gamut. Most progress in QDs has been made based on cadmium‐containing materials, as represented by CdSe. These systems have excellent performance in terms of their narrow‐band emission and high emission quantum yield; however, the toxicity of cadmium represents a barrier to practical applications of QD displays. Over the last decade, considerable efforts have been made to develop QDs that do not contain cadmium. Some established alternative materials include InP, CuInS2, and lead halide perovskites. In addition, ZnTe‐based alloy QDs have recently been proposed as promising green and red phosphors. Narrow‐band and green emission (30 nm of full‐width at half‐maximum at a wavelength of 535 nm) has also been reported for Zn (Te, Se) alloy QDs. In this review article, we give a brief overview of progress in established cadmium‐free QDs and describe the current status and future challenges of new cadmium‐free QDs, ZnTe‐based alloy QDs.  相似文献   

16.
The color gamut is one of the critical parameters that dictate the image quality of displays. The liquid crystal displays using white color light‐emitting diodes (LEDs) as the backlight, though having been widely employed recently, are not very satisfactory in terms of their color gamut because of the broad spectrum inherent to white LEDs. This prompted the authors to develop improved liquid crystal displays using an edge‐lit wide color gamut backlight that used red laser diodes and cyan LEDs. Generating laser beams with high color purity, the laser diodes are light sources with a significant effect on expanding the color gamut. However, laser diodes, red ones in particular, have unfavorable thermal characteristics. To cope with this shortcoming, the authors clearly defined the restrictive criteria for laying out two kinds of light source on the edge‐lit backlight and made a prototype 55‐type laser backlight for performance evaluation.  相似文献   

17.
Abstract— A methodology and associated software modules for calibration, characterization, and profiling of color LCDs for color‐critical applications in medical imaging is described. Supporting analyses reveal very high color‐reproduction accuracy as determined by CIE DE2000 color differences for 21 0 test colors uniformly distributed in CIE Lab color space. The impact of the LCD tone‐reproduction curve on color‐reproduction accuracy is compared for two tone‐reproduction curves of special interest in medical imaging: the DICOM gray‐scale standard display function and the CIE L* standard lightness function. The initial results from a psychophysical investigation of the diagnostic performance of trained pathologists viewing “virtual” breast biopsy slides are reported and the diagnostic performance achieved with calibrated, color‐managed LCDs with uncalibrated LCDs without the benefits of color management is compared.  相似文献   

18.
The sharp β‐sialon (Si6‐zAlzOzN8‐z : 0 < z < 0.1):Eu green phosphor, combining with a blue LED and CaAlSiN3:Eu red phosphor, is suitable for the wide‐color gamut white LEDs backlighting system, because of its sharp and asymmetric emission spectrum shape. However, the color gamut and the brightness of the aforementioned display is restricted because of the wide emission band of the CaAlSiN3:Eu red phosphor. In this work, we used K2SiF6:Mn as an alternate red phosphor, which has a sharp emission spectrum. The display with the white LED using sharp β‐sialon:Eu and K2SiF6:Mn shows a wide‐color gamut, which covers the hole NTSC triangle. The use of K2SiF6:Mn enables to realize not only a wider color gamut but also a higher brightness of displays, compared with the use of CaAlSiN3:Eu. Furthermore, it is confirmed that the white LED using sharp β‐sialon:Eu and K2SiF6:Mn is stable against temperature and also durable under the accelerated drive conditions.  相似文献   

19.
Abstract— A major issue when setting up multi‐projector tiled displays is the spatial non‐uniformity of the color throughout the display's area. Indeed, the chromatic properties do not only vary between two different projectors, but also between different spatial locations inside the displaying area of one single projector. A new method for calibrating the colors of a tiled display is presented. An iterative algorithm to construct a correction table which makes the luminance uniform over the projected area of one single projector is presented first. This so‐called intra‐projector calibration uses a standard camera as a luminance measuring device and can be processed in parallel for all projectors. Once the color inside each projector is spatially uniform, the set of displayable colors — the color gamut — of each projector is measured. On the basis of these measurements, the goal of the inter‐projector calibration is to find an optimal gamut shared by all the projectors. Finding the optimal color gamut displayable by n projectors in time O(n) is shown, and the color conversion from one specific color gamut to the common global gamut is derived. The method of testing it on a tiled display consisting of 48 projectors with large chrominance shifts was experimentally validated.  相似文献   

20.
Abstract— The demand for projectors with high brightness and wide color gamut has been increasing; however, UHP lamp projectors cannot deliver those two qualities efficiently and simultaneously because of its color‐separation system. The newly developed projection system — “Color‐Tuning Projection System” — realizes the adaptive combination of high brightness and wide color gamut with one projector. This projector features a fourth liquid‐crystal panel — “Color Tuner” — with a 3LCD optical engine, which controls yellow light separately from the RGB light of a UHP lamp. This color‐tuner‐based optical engine — “Color‐Tuning Optical Engine” — and a new color‐conversion signal‐processing algorithm — “Adaptive Color Conversion Algorithm” — controls the yellow‐light volume and corrects color‐shifted pixels according to the brightness and chromaticity analysis of the input image, key technologies of the Color‐Tuning Projection System. This additional panel system enables the projector to ach ieve up to 115% higher brightness and 120% wider color gamut according to the input image. This paper presents an innovative design concept, a novel technology regarding brightness and a color‐gamut conversion projection system, and the characteristics of the prototype.  相似文献   

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