Color‐tuning projection system for adaptive combination of high brightness and wide color gamut

Abstract— The demand for projectors with high brightness and wide color gamut has been increasing; however, UHP lamp projectors cannot deliver those two qualities efficiently and simultaneously because of its color‐separation system. The newly developed projection system — “Color‐Tuning Projection System” — realizes the adaptive combination of high brightness and wide color gamut with one projector. This projector features a fourth liquid‐crystal panel — “Color Tuner” — with a 3LCD optical engine, which controls yellow light separately from the RGB light of a UHP lamp. This color‐tuner‐based optical engine — “Color‐Tuning Optical Engine” — and a new color‐conversion signal‐processing algorithm — “Adaptive Color Conversion Algorithm” — controls the yellow‐light volume and corrects color‐shifted pixels according to the brightness and chromaticity analysis of the input image, key technologies of the Color‐Tuning Projection System. This additional panel system enables the projector to ach ieve up to 115% higher brightness and 120% wider color gamut according to the input image. This paper presents an innovative design concept, a novel technology regarding brightness and a color‐gamut conversion projection system, and the characteristics of the prototype.     

Measuring the color capability of modern display systems

Historically displays used three colorants in an additive system. During that time, the CIE chromaticity diagram adequately illustrated color capability. Modern displays are not constrained by this additive architecture, and the diagram can fail in its purpose. This is demonstrated by analysis and a large number of display measurements. A device‐independent methodology using CIE 1976 L*a*b* color gamut volume is described that provides a robust means to determine the size of the color gamut. This methodology is then extended to the ‘gamut rings’ diagram as a solution for visualizing color capability that directly correlates to color gamut volume. It is further shown how the methodology can be applied to determine the intersection between two gamut volume boundaries.     

Preferred and maximally acceptable color gamut for reproducing natural image content

Abstract— With the development of wide‐gamut display technology, the need is clear for understanding the required size and shape of color gamut from the viewers' perspective. To that end, experiments were conducted to explore color‐gamut requirements based on viewers' preferred level of chroma enhancement of standard‐gamut images. Chroma preferences were measured for multiple hues using single‐hue images, and a corresponding hue‐dependent preferred chroma enhancement was successfully applied to natural, multi‐hue images. The multi‐hue images showed overall success, though viewers indicated that reds could be decreased even further in colorfulness, and yellows could be increased, which may argue in favor of multi‐primary displays. Viewer preferences do vary within the population, primarily in overall chroma level, and the differences can be largely accounted for with a single parameter for chroma‐level adjustment that includes the preferred hue dependence. Image content dependencies were also found, but they remain too complex to model. The hue‐dependent chroma preference results can be applied to display design and color‐enhancement algorithms.     

Design of relative primary luminances for four-primary displays

Multi-primary displays have the advantage of large color gamut. The relative primary luminances of a conventional three-primary display are uniquely determined by its white point. There are N−3 degrees of freedom for choosing the relative primary luminances of an N-primary display with a given white point. This paper presents the methods designing the relative primary luminances of four-primary displays. A four-primary LED display is taken as an example for showing the methods. The maximum display luminance and color gamut are, respectively, taken as an additional requirement for determining the relative primary luminances of the display. The requirement of the maximum display luminance is taken for a set of available primary luminances. The gamut volume in CIELAB color space is defined for maximizing the display gamut. In practice, the design of the relative primary luminances may be a compromised result of the two additional requirements.     

Power‐saving primary design for displays enclosing a target color gamut

Abstract— Display primaries are optimized for the trade‐off between the total primary power and color gamut under the requirement that a target color gamut is enclosed by the color gamut of the display. LED displays and HDTV color gamut are taken as examples. Compared to the display using a set of typical commercial RGB LEDs, it was found that a total optical (electrical) power of 23.6% (15.6%) can be saved for the display using optimal RGB LEDs. Although the size of the display color gamut is sacrificed, the color gamut of the display using optimal RGB LEDs still encloses the HDTV color gamut. The combined effect of the LED luminous efficiency and white‐point condition on the determination of the optimal LED wavelengths and bandwidths is also studied.     

A novel spectrum‐sequential display design with a wide color gamut and reduced color breakup

Abstract— The advantage of RGB color‐sequential displays is that they have no color filters, but the disadvantage is that they need to run at high refresh rates (> >180 Hz) to prevent flicker and color breakup. An alternative color‐sequential display, which can operate at relatively low refresh rates (～ 100 Hz) without disturbing color breakup or flicker, has been developed. The display has two color filters per pixel (cyan and magenta) on the LCD panel and the backlight can generate two types of spectra (blue‐green and green‐red), which results in a wide gamut four‐primary display, effectively. One part of the paper describes the color reproduction, including color‐filter design, gamut mapping, and multi‐primary conversion. The other part deals with the reduced perception of color breakup on the novel spectrum‐sequential display compared to conventional color‐sequential displays.     

Relationship between mode‐boundary from surface color to fluorescent appearance and preferred gamut on wide‐gamut displays

Abstract— Color‐gamut design is a major concern in wide‐gamut displays. To determine a preferred gamut for displaying object color in natural scenes on a wide‐gamut display, subjective evaluations were conducted to investigate the preferred color and acceptable limit. Then, simple synthesized images were used to determine the mode boundary between surface color and fluorescent color appearance. It was found that (1) observers perceived the colors with high saturation and high lightness as fluorescent colors and (2) the fluorescent appearance decreased preference. The color‐mode index (CMI) was defined as an evaluation index of the color‐appearance mode so that the boundary between surface color and fluorescent color appearance was defined as CMI 100. Additionally, it was found that the CMI 100 loci could be interpreted as an optimal color loci. Then, it was clarified that the mode boundary and the preferred gamut were closely related and that the acceptable limit for L* was 1.1 times L* for CMI 100.     

Design considerations for highly efficient edge‐lit quantum dot displays

Quantum dots (QDs) are increasingly the technology of choice for wide color gamut displays. Two popular options to incorporate QDs into displays include on‐edge and on‐surface solutions. The opto‐mechanical design for an on‐edge QD solution including a LED light bar (“on‐edge QD light bar”) is more complex than the design for a standard white phosphor LED light bar. In this paper, we identify and investigate a range of design parameters for an on‐edge QD light bar, and we show that these parameters have significant influence on system efficiency and color uniformity. The effects of varying these parameters are explored through the use of a custom adjustable testbed and optical raytracing methods. Our testbed data demonstrate the inherent trade‐offs between efficiency and color uniformity and provide guidance for the design of high‐performing displays. The optical raytracing data demonstrate a good predictive capability and support the use of optical modeling methods for a detailed exploration of a wider range of design parameters.     

Achieving standard wide color gamut by tuning LED backlight and color filter spectrum in LCD

In order to achieve the standard red, green, and blue (sRGB) standard color gamut in color liquid crystal display and improve the image quality, the impact of the backlight and color filter spectrum on module's chroma was simulated and analyzed. The color gamut was enhanced by adjusting and optimizing the two parts of spectrums of LED backlight and color filter and by using red and green phosphor LED backlight to match the new color filter with an appropriate thickness. Experimental results show that: When the thickness of color filter is 2.2 µm, National Television System Committee color gamut increases from 65.3% to 74.9%, and sRGB matching rate enhances from 83.2% to 100%, achieving a full coverage of the sRGB standard color gamut, the transmittance of white light reaches 28.1%. Also, it is verified that shifting the peak position of the backlight and color filter spectrum to purification direction, as well as narrowing its half‐width can upgrade the color gamut. Meanwhile, the thicker the thickness of color filter is, the wider color gamut it has, based on the same pigment material.     

A method for selecting display primaries to match a target color gamut

Abstract— A method for selecting primaries of a wide‐gamut display is proposed, in which display color gamut is designed to match a target color gamut in CIELAB color space. A standard deviation of the relative maximum chroma of display and target color gamuts is defined. The selection method optimizes display primaries for the minimum standard deviation so that display and target color gamuts are similar in shape. It is shown that the color gamut of a laser display designed by this method is similar in shape to the theoretical maximum, or optimal, color gamut of objects. It is also shown that the color gamut of an LED display can be designed to include 99.7% of the gamut of Pointer's real‐world surface colors. LED primaries are selected to minimize the standard deviation of the relative maximum chroma of effective display color gamut and a target color gamut which is defined to include Pointer's real‐world surface colors. For both the laser and LED displays, it is necessary to constrain the red‐primary wavelength to avoid excessive optical power for the red primary.     

Thermal management of edge‐lit wide color gamut backlight for LCD using red laser diodes and cyan LEDs

The color gamut is one of the critical parameters that dictate the image quality of displays. The liquid crystal displays using white color light‐emitting diodes (LEDs) as the backlight, though having been widely employed recently, are not very satisfactory in terms of their color gamut because of the broad spectrum inherent to white LEDs. This prompted the authors to develop improved liquid crystal displays using an edge‐lit wide color gamut backlight that used red laser diodes and cyan LEDs. Generating laser beams with high color purity, the laser diodes are light sources with a significant effect on expanding the color gamut. However, laser diodes, red ones in particular, have unfavorable thermal characteristics. To cope with this shortcoming, the authors clearly defined the restrictive criteria for laying out two kinds of light source on the edge‐lit backlight and made a prototype 55‐type laser backlight for performance evaluation.     

White LEDs using the sharp β‐sialon: Eu phosphor and Mn‐doped red phosphor for wide‐color gamut display applications

The sharp β‐sialon (Si_6‐zAl_zO_zN_8‐z : 0 < z < 0.1):Eu green phosphor, combining with a blue LED and CaAlSiN₃:Eu red phosphor, is suitable for the wide‐color gamut white LEDs backlighting system, because of its sharp and asymmetric emission spectrum shape. However, the color gamut and the brightness of the aforementioned display is restricted because of the wide emission band of the CaAlSiN₃:Eu red phosphor. In this work, we used K₂SiF₆:Mn as an alternate red phosphor, which has a sharp emission spectrum. The display with the white LED using sharp β‐sialon:Eu and K₂SiF₆:Mn shows a wide‐color gamut, which covers the hole NTSC triangle. The use of K₂SiF₆:Mn enables to realize not only a wider color gamut but also a higher brightness of displays, compared with the use of CaAlSiN₃:Eu. Furthermore, it is confirmed that the white LED using sharp β‐sialon:Eu and K₂SiF₆:Mn is stable against temperature and also durable under the accelerated drive conditions.     

Effect of DLP projector white channel on perceptual gamut

Abstract— The effect of white‐channel enhancement as implemented in the Texas Instrument DLP? digital projector technology is evaluated theoretically using both the CIELAB and the CIECAM02 color appearance models and experimentally through psychophysical testing using real images. Both theory and test results confirm a compression of perceptual gamut in both chroma and colorfulness as a result of the added white channel. Hence, while this technology is ideal for viewing graphics and text under ambient conference‐room conditions where lightness contrast is important, it is necessarily less than ideal for viewing images or in home‐theater environments where color is important.     

Color reproduction with a various number of sub‐pixels

Monochrome reflective‐type displays are widely used for portable reading applications such as electric papers because this type does not need a back light unit and can be used outdoors for a long time. Color reflective‐type displays without back light units are desired to expand the market further. The current color reproduction is based on three sub‐pixel red, green and blue (RGB) methods, and when used in reflective type, its luminance is reduced to a third of that of monochrome type. Adding a white sub‐pixel to the current method can improve the luminance, making the sub‐pixel number four. However, in the case of a high resolution display with a four‐sub‐pixel method, the pixel structure is complex, and the luminance improvement may be limited. Instead of increasing the sub‐pixel number, two sub‐pixel methods are investigated. These methods can improve luminance with limited color gamut. The performances are compared with those of other methods quantitatively.     

基于B样条色域描述的颜色匹配

目前的色域匹配算法大多在等色调平面上进行,设备的色域边界以三角形近似描述,难以实现颜色的准确再现。该文分析了设备色域剖面的形状,提出了用准均匀B样条曲线来描述色域边界,设计了基于该样条曲线描述的CUSP色域匹配算法。实验结果表明,基于B样条色域描述的颜色匹配明显提高了色彩的再现精度,可显著提高打印输出彩图的质量。     

Effects of display properties on perceived color‐gamut volume and preference

Abstract— The effect of varying the color gamut of an extended‐gamut LCD on color appearance and preference was measured psychometrically in two experiments at each of two separate laboratories over a representative set of 10 images each. The first experiment measured the effect of color gamut on appearance, and the effect on the appearance attribute colorfulness was shown to be relatively strong compared with other attributes as the volume of display color gamut is varied. Overall, colorfulness monotonically increased at constant sensitivity as the gamut area in xy chromaticities increased while tending to become less and less sensitive to increasing the gamut volumes in CIELAB and CIECAM02. In the second experiment, the overall preference indicated an optimal color gamut for the display gamut volume even though the results were shown to be highly scene dependent.     

Enhancement of blue‐light‐emission properties for OLED displays by using a polarized light‐recycling structure

Abstract— The blue‐light‐emission properties of organic light‐emitting‐diode (OLED) displays must be enhanced to meet the requirements for color purity and luminous efficiency because few blue‐light‐emitting materials meet these requirements. This is particularly true for polymeric and phosphorescent light‐emitting materials. To attain the required purity and efficiency, a polarized‐light‐recycling structure for blue light that is called a blue enhanced circular polarizer (BECP) has been developed. The principle of the structure and the fabricated prototype device is described and it is shown that the structure increases blue‐light intensity and color purity, improves efficiency, provides a wide color gamut, and limits ambient‐light reflection.     

A dual‐gap RGBW transflective TFT‐LCD with adjustable color gamut

Abstract— An adjustable‐color‐gamut dual‐gap RGBW transflective liquid‐crystal display that uses a four‐color manufacturing process and a color‐processing algorithm to achieve the appropriate color performance in both the transmissive and reflective modes is presented. Based on superior‐color‐transformation units, the total brightness and color gamut can be modified under different ambience. The highest NTSC color gamut in the reflective mode (reflectance, 4.4%) that has been fabricated successfully for a RGBW 1.5‐in. dual‐gap panel is 23% with a 7%, 17%, and 40% NTSC color gamut in the transmissive mode by using different algorithms. Compared to a typical RGB panel, it not only provides flexibility for any environment but also satisfies a variety of personal requirements. Based on personal preference, users have more choices to adjust the LCD settings such as color saturation, brightness, etc. The smart RGBW TRLCD will definitely become the developing trend towards sunlight‐readable LCDs in the near future.     

Single display gamut size metric

To measure the relative gamut sizes of wide‐gamut displays, it is herein proposed that the CIE 1931 xy chromaticity diagram be used rather than the nominally perceptually uniform CIE 1976 u′v′ chromaticity diagram. High correlations were found between the area‐coverage ratios in the xy diagram and the volume‐coverage ratios in the CIE 1976 L^*a^*b^* color space for major standard wide‐gamut color spaces. It is also demonstrated herein that performing planimetry in the uniform u′v′ diagram does not yield accurate relative display gamut sizes, even though the large sizes obtained using the u′v′ diagram are often reported regardless of the fact that its uniformity is valid only when the luminance factor is constant. The single display gamut size metric using the xy diagram will facilitate the unbiased development of wide‐gamut displays.     

Color‐gamut expansion in CRTs

Abstract— This paper describes the architecture for a color picture tube (CPT), which enables a cost‐effective expansion of the color gamut. Besides a gamut expansion based on application of more‐saturated phosphors in the present three‐primary system, four‐ and five‐primary systems are described. Gun‐pitch modulation allows the application of a conventional electron gun for both a four‐ and five‐primary CRT. In these systems, the mask and matrix transmissions need to be reduced to maintain color purity. From this point of view, a five‐primary CRT is unrealistic. Two four‐primary CRTs are evaluated in more detail. But, here, the total anode current to generate white has to be increased substantially because of the reduced mask and matrix transmissions. Nonetheless, in this paper it is argued that with one of the four‐primary CRTs more‐saturated yellow colors can be displayed at 85% of the display luminance of a conventional system without loss of perceived sharpness.