| 昌黎吹歌的民族音乐学考察与保护策略研究 |
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| 引用本文： | 张惠勇.昌黎吹歌的民族音乐学考察与保护策略研究[J].河北职业技术师范学院学报(社会科学版),2009(1):62-65. |
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| 作者姓名： | 张惠勇 |
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| 作者单位： | 河北科技师范学院艺术系,河北秦皇岛066004 |
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| 摘 要： | “秧歌曲遍地跑,汉吹曲赛牛毛,牌子曲十二套。”这是昌黎吹歌的真实写照。“昌黎三歌”之昌黎吹歌,以其独特的艺术风貌,活跃于冀东广阔的大地上。论文从音乐文化人类学、艺术文化社会学的角度对昌黎吹歌历史文化起源、吹歌流派、吹歌乐曲分类及其社会功用、生存、研究与发展现状进行了详细的梳理,并对其发展与传承提出了一些建议与意见,旨在更好地保护我国古老的民间吹歌艺术,使我们珍贵的非物质文化遗产得到有效的传承。
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| 关 键 词： | 昌黎吹歌 地秧歌 吹歌流派 |
Ethnomusicology Investigation and Protection Research of Wind and Percussion Music in Changli |
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| Authors: | Zhang Huiyong |
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| Affiliation: | Zhang Huiyong (Department of Arts, Hebei Normal University of Science ＆Technology, Qinhuangdao Hebei 066004, China) |
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| Abstract: | With its unique artistic style, wind and percussion music in Changli was very active in the vast land of eastern Hebei Province. This article attempts to analyze the music from cultural anthropology, sociology arts and culture＇s point of view, tries to explain its historical and culture origination, school of wind and per- cussion music, and interpret its survival, study and development. And some suggestions are given in order to protect our ancient folk music and inherit our country＇s intangible cultural heritage. |
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| Keywords: | wind and percussion music in Changli folk dance music school of wind and percussion music |
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