| 浅析油画的色彩与形体结构 |
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| 引用本文： | 牛耕田. 浅析油画的色彩与形体结构[J]. 西昌学院学报(社会科学版), 2006, 18(3): 154-156 |
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| 作者姓名： | 牛耕田 |
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| 作者单位： | 西北民族大学美术学院 甘肃兰州730700 |
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| 摘 要： | 色彩和形体是油画造型艺术最基本的语言。它们是互为不可或缺的,共同构成了油画的整体。没有色彩的油画是缺乏活力的,但失去了形体整个画面就无从构建。只有对它们的关系从宏观上形成正确的认识,进行探索研究,才能实现油画的本体精神。
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| 关 键 词： | 油画 色彩关系 形体结构 |
| 文章编号： | 1673-1883(2006)03-0154-03 |
| 修稿时间： | 2006-04-25 |
Analysis of the Coloring and Figure of Oil Paintings |
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| NIU Geng-tian. Analysis of the Coloring and Figure of Oil Paintings[J]. Journal of Xichang College(Social Science Edition), 2006, 18(3): 154-156 |
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| Authors: | NIU Geng-tian |
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| Abstract: | Coloring and figure are basic language to compose oil painting plastic arts , and they never separate in its entirety. Painting works will be short of vinor without coloring and can not be constructed without figure. We should have a macroscopic undstanding about relationship between coloring and figure and study them. In this way , the oil painting insprit will be realized. |
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| Keywords: | Oil Painting Coloring Figure |
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