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浅析五代、两宋山水画的空间布局特征
引用本文:马公伟.浅析五代、两宋山水画的空间布局特征[J].韶关学院学报,2002,23(8):91-93.
作者姓名:马公伟
作者单位:平顶山师范专科学校美术系,河南,平顶山,467002
摘    要:五代,两宋是中国绘画史上的重要时期,其山水画在空间布局上的巧妙处理,对后世山水画的发展产生了重要的影响,五代,北宋的山水画,侧重于完整地,整体地把握客观对象,以繁复的,“全景式”的构图,显示一种雄浑,博大的气象,南宋山水画,则以少取胜,强调对景物的大胆剪裁,以简约的,“边角式”的布局,营造出一种空灵的,诗一般的氛围。

关 键 词:中国美术史  山水画  空间布局
文章编号:1007-5348(2002)08-0091-03
修稿时间:2002年4月1日

Analysis of the Composition Features of the Landscape Paintings in the Five Dynasties and Song Dynasty
MA Gong,wei.Analysis of the Composition Features of the Landscape Paintings in the Five Dynasties and Song Dynasty[J].Journal of Shaoguan University(Social Science Edition),2002,23(8):91-93.
Authors:MA Gong  wei
Abstract:The Five Dynasties and Song Dynasty are important periods in the painting history of China, in which the delicate and skillful techniques of composition in landscape paintings have far reaching influence on the drawings of later times. The landscape paintings in the Five Dynasties and Northern Song Dynasty tend to present objective scenes, usually mountains and waters, completely and wholly, by giving a complicated and panoramic composition so that they take on a powerful and vast momentum. However, the landscape paintings in Southern Song Dynasty stress simplification, economy and conciseness with bold pruning and edge corner oriented composition so as to make an intelligent, open and poetic atmosphere.
Keywords:Chinese artistic history  landscape painting  composition  
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