相机眼：建筑中的投影机器

让·弗朗索瓦·利奥塔（Jean-Francios-Lyotard）将电影摄影术表述为对以运动进行的写作,是对电影片断的主动创作。当我们试图通过将时间切分为一系列的静态的,固定的时刻来理解运动,然后再通过某种方式将其连接时,我们便遗失了运动的整体。德勒兹认为随着蒙太奇的出现,片断便具有时间性而并非单纯的空间性.对于“固定片断＋抽象时间”的分析也将转化为对“移动片断＋时间平面”的分析。这一理念亦可通过某种方式类比于建筑,建筑师的活动与电影制作过程表现出较强的相似性。这也同样体现在“相机眼”（Camera Eye project）中。

Camera Eye:A Machine for Projective Practice in Architecture

Jean-Francios-Lyotard characterizes cinematography as writing with movement.It is the activity itself,writing as actively dealing with film shots.We try to comprehend movement by slicing time into a sequence of static moments,or immobile cuts,and somehow melding them back together again,and then we loss the movement as a whole.Deleuze provided that with the advent of montage the shot became temporal as opposed to solely spatial,Thus,the position of which analysis the immobile section+abstract time is shifte...