| 论中国古典舞《身韵》的形、神、劲、律 |
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| 引用本文： | 冉少敏.论中国古典舞《身韵》的形、神、劲、律[J].重庆科技学院学报(社会科学版),2004,19(3):94-95,99. |
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| 作者姓名： | 冉少敏 |
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| 作者单位： | 重庆师范大学学前教育与艺术学院,重庆,400043 |
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| 摘 要： | 从中国古典舞审美角度探讨"身韵"所包含的"形"、"神"、"劲"、"律"这四个方面认为一个成熟的民族舞演员在舞台上展现的动作之所以具有审美价值和艺术魅力,是因为体现了"形"、"神"、"劲"、"律"的高度融合.
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| 关 键 词： | 中国古典舞 神韵 形 神 劲 律 |
| 文章编号： | 1009-3494(2004)03-0094-02 |
| 修稿时间： | 2004年3月11日 |
On Figure, Expression, Strength and Rhyme of Chinese Classical Dance |
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| RAN Shao -min.On Figure, Expression, Strength and Rhyme of Chinese Classical Dance[J].JOURNAL OF CHONGQING UNIVERSITY OF SCEENCE AND TECHNOLOGY,2004,19(3):94-95,99. |
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| Authors: | RAN Shao -min |
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| Abstract: | From the aesthetic side of Chinese c lassical dance,this paper discusses that external"body expres-sion"and intenal"spiritual expression"include four sides---figure,expression,strength and rh yme.The reason why a mature national dancer c an perform aesthetic value and artis tic attraction is that he can do all of the four sides.So,"body expression"and"spiritual expression"are equally important. |
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| Keywords: | Chinese classical dances piritual expression figure express ion strength rhyme |
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