文化选择与接受的产物:20世纪新艺术运动在中国的传播模式及其形态特征解析

19世纪末,新艺术运动以崭新的艺术面貌出现,席卷了整个欧洲并跨越了欧亚大陆,同步传播到了中国,并形成了独属中国的地域性特征.新艺术运动中的建筑与装饰作为20世纪艺术遗产中重要的一环,对研究与溯源中国近代建筑遗产有关键性的影响,同时,新艺术运动在中国的传播是一个选择与接受的过程.本文对中国范围内新艺术运动的时空发展进行梳理,总结出其在中国传播的两种途径,并以三种传播模式为指引,对中国新艺术建筑与装饰的形态特征进行解析,以完善新艺术运动在全球分布的完整性.

The Outcome of Cultural Option and Acceptance: Analysis of the Transmission Pattern and Morphological Characteristics of Art Nouveau Movement in China of 20th Century

At the end of the 19th century, Art Nouveau Movement appeared with a new artistic appearance, which naturally swept across Europe and spread to China simultaneously across the Eurasian Mainland boundary with different attributes of architecture and decoration formed the regional characteristics of China. As an important part of art heritage in the 20th century, architecture and decoration of Art Nouveau Movement had a key influence on the research and traceability of Chinese modern architectural heritage, which is also a process of choice and acceptance. In order to improve the intergrity of Art Nouveau Movement in the world, this paper aims at carding the space-time development, summed up two paths of communication in China and guided by three modes of transmission, analyzes the morphological characteristics of Chinese architecture and decoration on Art Nouveau movement.