English as a lingua franca: A threat to multilingualism?

In this paper I argue against the widespread assumption that the English language in its role as lingua franca is a serious threat to national languages and to multilingualism. I support this argument by making a distinction between 'languages for communication' and 'languages for identification'. Further support for the stance against one-sidedly attacking English as a killer language will be drawn from the findings of three research projects currently being carried out at Hamburg University, one on the impact English has on discourse norms in influential genres in other languages; the second one on the nature of interactions in English as a lingua franca; and the third one on so-called 'international degree programmes', in which English is the language of instruction. Finally, I make some tentative suggestions for a new research paradigm for English as a lingua franca.     

How to study multilingualism of the past: Investigating traditional contact situations in Daghestan

Reconstructing contact situations for an unwritten language is a challenging task, as the sociolinguistic past of such speech communities is very rarely documented. The paper describes research in which a method of retrospective family interviews is applied, where respondents’ recollections about recent multilingual past and, in particular, about the language repertoires of their elder relatives, are converted into quantitative data. It is a case study of three neighboring villages in the mountains of Daghestan, each of which has its own first language. It is shown that the multilingual pattern in the cluster is now shifting from the knowledge of neighbor languages towards Russian – an external lingua franca which is not native to any of the communicants.     

Culture Within Sites,Culture as Resources,and Culture as Wider Contexts: A Typology of How Culture Works in Social Movement Theory

Sociologists of social movements agree that culture matters for studying collective action, and have proposed a variety of theoretical concepts to understand culture and mobilization, including framing, free spaces, and collective identity. Despite this, what we mean when we say “culture matters” remains unclear. In this paper, I draw on 30 years of social movement theory and research to construct a typology of three ways that culture is seen as shaping social movement activity: (i) culture renders particular sites fruitful for social movements to mobilize out of; (ii) culture serves as a resource that assists in movement action; and (iii) culture provides wider contexts that shape movement activity. This typology represents the analytic building blocks of theories about culture and social movements, and is presented towards the end of clarifying and sharpening our theoretical concepts. The paper concludes with suggestions for future research that draw on, refine, and extend these three building blocks.     

Doing Time as an Act of Survival

As it is created by inmates in a county jail, time is a remarkably malleable phenomenon. Inmates must alter the meaning of hour, day, month, and year for self‐preservation and to maintain social stability, whether they serve sentences that are long or short. They control time through a host of cognitive feats, including ignoring diurnal cycles by rolling entire weeks into single days, and through actions and activities that make time pass more quickly. In jail, as opposed to prisons, these efforts at time control are especially difficult because there are few diversions, making time spent in jail “hard” time. Mead's theory of time, in particular the intertwining of past, present, and future, reveals the social complexity of doing time in these conditions. Data were gathered through observations and interviews, and they are presented in a mixture of genres including autobiography and classical ethnographic analysis.     

Linguistic competency and citizenship: Contrasting portraits of multilingualism in the South Korean popular media1

This paper examines how metapragmatic framings of multilingual competency and incompetency have become indexes of global and South Korean citizenship in the South Korean popular media. Drawing upon depictions of multilingualism in South Korean television deurama (‘drama’), comedy skits, and popular music, it examines how the locus of modernity and cosmopolitanism is moving away from the U.S.‐oriented overseas Korean (gyopo) and towards the figure of the elite transnational returnee (saldaon saram). It argues that as the transnational circulation of people, media, and ideologies accelerates in the age of globalization, intra‐ethnic discourses of linguistic mockery will also intensify. 本文檢視南韓大眾媒體中的多語現象, 探討擁有多語能力如何成為判定是世界公民和南韓公民的依據。我們探索在全球化下, 欠缺語言能力的種族化形象的跨國流傳, 以及同民族間的語言嘲諷現象的興起。這篇文章觀察南韓電視連續劇、綜藝節目喜劇單元和流行音樂中對多語現象的呈現, 據此分析多語現代性和世界主義如何從過去曾是南韓旅美僑胞的表徵, 轉變成當今海歸(跨國鍍金後返國)人士的專屬形象。[Mandarin] ? ??? ??? ????? ??? ??? ?? ??? ???? ??????? ????? ??? ???? ???? ?? ??? ??? ???? ???? ?? ????. ???, ??? ?, ??? ?? ?? ? ????? ?? ?????? ??? ??? ??? ???? ?? ???? ???? ??? ?????? ?? ?? ??? ?? ????? ???? ??? ????. ??, ???? ?? ??? ???, ?????? ???? ??? ??? ???? ? ???, ???? ??? ???? ??? ??? ????. [Korean]     

Refugees as icons: Culture and iconic representation

The September 2015 photograph of Alan Kurdi, a 3‐year‐old Syrian boy, lying facedown and dead on a Turkish beach, quickly became an iconic representation of Europe's “refugee crisis.” Even though images of distant suffering of refugees have become ubiquitous, only a few become iconic. It is this cultural process of iconization that often bedevils sociologists interested in visuality. How does an image gain the necessary currency to sway public opinion or even policy making? Why do some photographs elicit profound compassion that transcends the borders of its particular context? In this review, we explore how various authors have addressed these questions, focusing on the iconic images of Alan Kurdi. The “iconic turn” in cultural sociology and in the social sciences more broadly speaking offers theoretical and methodological insights for the analysis of images such as those depicting refugees and asylum seekers. For this reason, we situate the current work in the field of refugee photography within the framework of cultural sociology, even if many of the scholars discussed are from other disciplines.     

Words of power: The power of words

Conclusion The original hapiness of words (Foucault) is gone ; there are no innocent languages (Barthes) anymore. All are related to social experiences, because a language originates in and has its primary reference to the everyday life. (Berger and Luckman, 1967, p.38) Any language is related to a given society, and both language and society are shaped by history. Obviously, American and French histories have been quite different.     

Righteous Dopefiend and AIDS,Sex, and Culture: Global Politics and Survival in Southern Africa

This essay offers a comparative reading of two ethnographies, Ida Susser's AIDS, Sex, and Culture: Global Politics and Survival in Southern Africa (2009 Susser, I. 2009. AIDS, Sex, and Culture: Global Politics and Survival in Southern Africa, Oxford: Wiley-Blackwell. [Crossref] , [Google Scholar]), a multisited text focused on community responses to dynamics of HIV/AIDS prevention and treatment in Southern Africa, and Philippe Bourgois and Jeff Schonberg's Righteous Dopefiend (2009 Bourgois, P. and Schonberg, J. 2009. Righteous Dopefiends, Berkeley: University of California Press.  [Google Scholar]), a photo-ethnographic exploration of lumpen subjectivity within an encampment of homeless drug addicts in San Francisco. Pointing out these texts' common focus on circumstances of the precarious and marginal poor under conditions of neoliberalization, social conditions shaping dynamics of HIV prevention, and poor people's negotiations of affliction and structural violence, this essay highlights the theoretical and practical effects of these books' divergent methodologies, scopes of analysis, and differing degrees of emphasis on subjective experience as well as women's experiences. It also considers a key commonality across these texts: their attention to the role of historical experience and political-economic context in shaping responses to affliction and structural violence.     

National Culture of Indulgence as Predictor of Prosocial Behavior: Governmental Effectiveness as Boundary Condition

Previous studies of national culture and prosocial behaviors have been limited to Hofstede’s five traditional culture dimensions. We introduce the fairly new and less studied cultural dimension of indulgence versus restraint (IVR) as a predictor of prosocial behaviors. We tested the effect of IVR on prosocial behavior over Hofstede’s previously studied dimensions. We also tested the moderating effect of government effectiveness on the relationship between indulgence and prosocial behavior. We crossed data for cultural dimensions from Hofstede with data from the world-giving index for prosocial behavior and data for government effectiveness from the World Bank. In total, eighty-seven countries entered our model. Indulgence predicted volunteering above the other researched cultural dimensions. It did not predict helping a stranger or donating. Among the cultural dimensions, only uncertainty avoidance was also significant in the prediction of volunteering. Uncertainty avoidance was the only cultural dimension that predicted donating. Individualism was not significant in the prediction of prosocial behaviors. Long-term orientation was the only cultural dimension that predicted helping a stranger (but not volunteering and donating) over other researched cultural dimensions. We found that government effectiveness is a boundary condition to the link between indulgent cultures and two prosocial behaviors (donating and helping a stranger but not for volunteering). Our results indicate that only in countries with high government effectiveness does indulgence predict prosocial behaviors, and not in cultures with low government effectiveness.

     

Fetishizing Music as Rape Culture

The concept of “rapey music” has recently emerged as a social problem in feminist and mainstream contexts. Rapey music references songs that critics perceive as artifacts of “rape culture” because they allegedly perpetuate sexual violence, misogyny, and rape myths. This article draws on the concept of “fetishism” to analyze accusations that certain songs are rapey and argues that such songs can be recuperated through a kink lens. In the first part, I review the burgeoning category of songs that have been condemned in feminist media analyses and the weak evidence that connects certain songs to sexual coercion, arguing that the terms “rapey” and “rape culture” operate as negative fetish concepts. I then analyze the disproportionate and more vehement targeting of Black performers, contending that a racialized fetishization underlies this phenomenon. In the last part, I defend music branded as “rape culture” by suggesting that its pleasurable dynamic can be understood through a non-normative kinky fetish framework.     

PTSD and the Vietnam veteran: the battle for treatment

1. Patients with post-traumatic stress disorder (PTSD) often encounter treatment that is complicated by professional bias, personal issues, countertransference, and pathological staff dynamics. 2. Treatment is further complicated by diagnostic confusion, the dual diagnoses of substance abuse or depression, and symptoms that mimic personality disorders or psychosis. 3. The special circumstances of the Vietnam conflict that contributed to the susceptibility and etiology of PTSD are the individual characteristics of those who served, the special nature of the war itself and the military strategies used, and the psychosocial and cultural milieu in which it occurred.     

Parting words: Trauma,silence and survival

Abstract

This article examines an enigma at the heart of Freud's work on trauma: the surprising emergence, from within the theory of the death drive, of the drive to life, a form of survival that both witnesses and turns away from the trauma in which it originates. I analyse in particular the striking juxtaposition, in Freud's founding work Beyond the Pleasure Principle, of his two primary examples of trauma: the repetitive nightmares of battle suffered by the soldiers of World War I, and the game of the child, faced with the loss of its mother, who plays fort and da (there and here) with his spool. My own understanding of Freud's insight did not emerge, however, simply through a reading of his text but began, in fact, in my encounter with a real child in Atlanta, a child whose best friend was murdered in the street and who is interviewed by the friend's mother. I thus read together the language of the nightmare and the language of the child in Freud's text, and then attempt to understand how Freud's text and the language of the real child shed light upon each other.