| 浅析契诃夫短篇小说的"戏剧舞台效果" |
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| 引用本文： | 吴维香,赵卫.浅析契诃夫短篇小说的"戏剧舞台效果"[J].哈尔滨学院学报,2006,27(9):91-94. |
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| 作者姓名： | 吴维香 赵卫 |
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| 作者单位： | 黑龙江大学,文学院,黑龙江,哈尔滨,150080 |
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| 摘 要： | 文章运用叙事学相关理论论述了契诃夫短篇小说的三个叙事特征:“框架零聚焦 主体外聚焦”的叙事聚焦模式及其所导致的短篇小说以对话和行动为主体;“展示”的叙述方式导致的读者与故事之间的“直观性”距离;集中与稳定的故事时空。这三个叙事特征共同作用于小说,使契诃夫短篇小说具有了“戏剧舞台效果”。
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| 关 键 词： | 戏剧舞台效果 对话 行动 距离 时空 |
| 文章编号： | 1004-5856（2006）09-0091-04 |
| 收稿时间： | 2006-03-23 |
| 修稿时间： | 2006-03-23 |
The "Drama-Stage Effect" in Chekhov's Short Stories |
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| WU Wei-xiang,ZHAO Wei.The "Drama-Stage Effect" in Chekhov''''s Short Stories[J].Journal of Harbin University,2006,27(9):91-94. |
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| Authors: | WU Wei-xiang ZHAO Wei |
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| Affiliation: | Heilongjiang University, Harbin 150080, China |
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| Abstract: | With the theory of narration,the paper reveals three narrative features in Chekhov's short stories,including the narrative mode of "frame non-focus main body out-focus" in which the main part of the story is made up by dialogue and action,the narrative mode of "exposition" in which the distance between readers and story is more direct,and the focused and stable time and space of the story.The three narrative features are employed together in his short stories making his work full of "drama-stage effect". |
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| Keywords: | drama-stage dialogue action distance time and space |
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