| 传统与现代的契合:新民乐在大众文化中的发展路径 |
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| 引用本文： | 黄永勤.传统与现代的契合:新民乐在大众文化中的发展路径[J].洛阳师范学院学报,2010,29(6):108-111. |
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| 作者姓名： | 黄永勤 |
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| 作者单位： | 镇江高等专科学校教师教育系,江苏丹阳212300 |
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| 摘 要： | 新民乐作为传统民乐的现代演绎,不断创新,如今已获得音乐本身的审美价值与音乐市场的生存空间。传统民乐的局限性、音乐改革思潮的绵延不绝、大众文化的推波助澜均为新民乐的诞生与发展创造了可能。在新的时代背景下,新民乐呈现出独特的形态,将传统与现代有效链接。
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| 关 键 词： | 新民乐 传统文化 国际化 商品化 |
The integration of traditionalism and Modernism: the developing course of the new folk music in the mass culture |
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| HUNAG Yong-qin.The integration of traditionalism and Modernism: the developing course of the new folk music in the mass culture[J].Journal of Luoyang Teachers College,2010,29(6):108-111. |
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| Authors: | HUNAG Yong-qin |
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| Affiliation: | HUNAG Yong-qin ( Teachers Training Department, Zhenfiang College, Danyang 212300, China) |
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| Abstract: | New folk music developing from traditional folk music has gained its aesthetic value as a kind of music and a place in the music market in the course of ten year＇s continuous innovation. The boundedness, the trend of reforming and mass culture make it possible for the new music to emerge and develop. In new times, the new folk music takes on its unique characteristic： the quintessence of traditional music still exists while commercialization and internationalization in illation of styles, visual presentation, transmission mechanism and marketing strategy will effectively connect traditionalism and modernism. |
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| Keywords: | new folk music traditional culture internationalization commercialization |
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