宁强羌族刺绣纹样的转译与创新设计研究

目的 纹样是传统民间美术艺术形式的重要特征,而它的创新性演变却非常匮乏,单纯的提取无法满足其在现代审美中的传播与发展。抽取出一种适用于“非遗”纹样的转译设计方法,使传统纹样更好地满足时代特征的审美需求。方法 通过对陕西“非遗”宁强羌族刺绣传统纹样的分析,明确其典型特征,提取核心纹样图案作为初始模型,利用转译原理生成新的纹样设计方案。基于转译原理的传统纹样再设计,既保留了传统纹样的基因特征,又创新性的挖掘了其遗传因素,为传统刺绣业在现代文化中的转型提供了巨大的创新设计源泉和方法。结论 某款宁强羌族刺绣的纹样再设计实验,论证了其方法的可行性和有效性。

Translation and Innovation Design of Ningqiang Qiang Embroidery Patterns

Pattern is an important feature of traditional folk art form, but its innovative evolution is very scarce. Pure extraction cannot meet its propagation and development in modern aesthetic. The paper aims to extract a kind of translation design method suitable for the "ICH" pattern, so that the traditional patterns can better meet the aesthetic needs of the times. Based on analysis of the traditional patterns of the Qiang embroidery in "ICH" of Shaanxi, this paper made clear its typical features, extracted the core pattern as the initial model, and used the translation principle to generate a new design scheme. The redesign of traditional patterns based on the principle of translation preserved the genetic chara?cteristics of the traditional patterns and the innovative mining of its genetic factors, which provided a great innovative design source and method for transformation of traditional embroidery industry in modern culture. The grain appearance design experiment of a Ningqiang Qiang embroidery demonstrates the feasibility and effectiveness of its method.