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《音韵正讹》入声韵研究
引用本文:洪梅.《音韵正讹》入声韵研究[J].莆田高等专科学校学报,2010(1):39-42.
作者姓名:洪梅
作者单位:福建师范大学中文系,福建福州350007
摘    要:入声韵的演变是现代汉语形成过程中发生的重大历史音变。通过对明末反映宣城方音的《音韵正讹》七个入声部韵字的研究,可以认为《音韵正讹》的塞音韵尾已经弱化不能分别,取而代之的是喉塞韵尾。《音韵正讹》入声韵发生的归并在依循韵部发展规律的同时也存在着其独立的特点。

关 键 词:明末  孙耀  音韵正讹  入声韵  韵尾  归并

A Study on Phonology in the Dictionary of Correct Melody in Xuancheng Dialect
HONG Mei.A Study on Phonology in the Dictionary of Correct Melody in Xuancheng Dialect[J].Journal of Putian College,2010(1):39-42.
Authors:HONG Mei
Affiliation:HONG Mei (College of Chinese Language and Literature, Fujian Normal University, Fuzhou Fujian 350007, China)
Abstract:The evolution of Phonology resulted in a historically great change in tone during the formation of modem Chinese Phonology. According to the detailed study on seven rhyme words in Phonology in the Dictionary of Correct Melody in Xuancheng Dialect (Chinese named Yin Yun Zheny E, which reflects on the dialect of Xuaneheng City in the late Ming Dynasty), we could note that the end of Plosive Rhyme was weakened and replaced by a tone from the throat. So the Dictionary of Correct Melody in Xuancheng Dialect was also unique in its characteristics.
Keywords:the late Ming Dynasty  Sun Yao  Correct Melody in Xuancheng Dialect  Phonology  the end of rhyme  merge
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