| 他者与自我:从蘩漪到曹七巧 |
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| 引用本文： | 刘传霞.他者与自我:从蘩漪到曹七巧[J].扬州大学学报(人文社会科学版),2006,10(1):35-39. |
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| 作者姓名： | 刘传霞 |
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| 作者单位： | 济南大学,文学院,山东,济南,250022 |
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| 摘 要： | 蘩漪和曹七巧两位“疯女人”在中国文学史上的不同遭遇是一个具有普遍意义的个案,它昭示了以男性为主体的中国社会对女性的角色的期待和认知,透露了现代文学史建构中存在的男权话语,表明了自我社会性别的建立与认同的过程,也是一个权力运作的过程。蘩漪是男性自我的他者,曹七巧是女性自我的替身。
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| 关 键 词： | 文学叙事 社会性别 疯女人 他者 自我 |
| 文章编号： | 1007-7030(2006)01-0035-05 |
| 修稿时间： | 2005年4月5日 |
The Others and Selves: From Fanyi to Cao Qiqiao |
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| LIU Chuan-xia.The Others and Selves: From Fanyi to Cao Qiqiao[J].Journal of Yangzhou University(Humanities and Social Sciences Edition),2006,10(1):35-39. |
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| Authors: | LIU Chuan-xia |
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| Abstract: | Fanyi and Cao Qiqiao,being two "madwomen" but having different experience in Chinese modern literary history is a typical case.First,it declares the expectation and cognition of male-dominated Chinese society towards women's role.Second,it hints at the existence of male-dominated discourse in Chinese modern literary history.Third,it indicates that the process of building and identifying social genders is meanwhile one of practicing power.Fanyi belongs to the others as against men's selves while Cao Qiqiao is a mouthpiece of women's selves. |
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| Keywords: | literary narrative social gender madwoman the others the selves |
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