“逸”作为审美范畴在唐宋时期的迁替

唐宋之际 ,社会审美思潮发生了很大变化 ,“逸”作为审美范畴在士大夫的观念中成为一种审美理想。“逸”是文人画的精神核心。宋代文人画 ,为了高扬主体情志 ,不仅要超越形似 ,而且要通过简化、变形等艺术手段 ,使画中的形象与所画的事物产生很大的间离感、陌生化 ,从而突出主体的情志。从创作主体的精神状态而言 ,“逸”是一种审美的自由创造 ,这种创造必然表现为对技巧规范的超越

Ease" as Aesthetic Concept and Its Transformation in Tang and Song Dynasty

The trend of thought in social aesthetics had experienced a great change in Tang and Song Dynasty for "ease" as an aesthetic concept became the aesthetic ideal in literati and officialdom's mind. "Ease" is the spiritual kernel of the printings of literati. The printings of literati in Song dynasty pursued not only the similarity in looks but also the similarity in spirit to highlight the subjects' spiritual state through simplifying and out of shape method in art. "Ease" was thefreedom in creation from the angle of the spiritual state of the creative subjects and which would have certainly showed the surpassing of the artistic techniques and rules.