| 从“意向性”概念反思现象学对美学的意义——以胡塞尔现象学为例 |
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| 引用本文： | 支运波.从“意向性”概念反思现象学对美学的意义——以胡塞尔现象学为例[J].武陵学刊,2009(1):25-28. |
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| 作者姓名： | 支运波 |
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| 作者单位： | 复旦大学中文系,上海200433 |
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| 摘 要： | 意向性概念一直是西方学术研究的重点。目前，国内学界是在现象学视域下理解意向性概念的。寻求美学突围的学术追求尤其要反思和警惕这一概念的西方学术理路，同时努力捕捉中西文化、思维的恰切点。以实验性的态度重塑东方关学。
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| 关 键 词： | 意向性 现象学 中国美学 东方思维 |
Reflecting Phenomenology＇ s Significance for Aesthetic from the Concept of Intentionality——Taking the Husserl＇s Phenomenology as Example |
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| Affiliation: | ZHI YUN- bo (Department of Chinese, Fudan University,Shanghai,200433,China) |
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| Abstract: | The concept of intentionality has been the focus in the Western academic research. However, domestic academia comprehends intentionality in the view ofPhenomenology. In order to make an aesthetic breakthrough, we should especially reflect and alert the occidental academic thread of this concept, meanwhile, find the conjunction point for the Chinese and Western cultures and thinking, and rebuild oriental aesthetics with the experimental attitude. |
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| Keywords: | intentionality Phenomenology Chinese Aesthetics oriental thinking |
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