| “气”的审美意蕴 |
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| 引用本文： | 庞飞,蔡萍.“气”的审美意蕴[J].青岛科技大学学报(社会科学版),2004,20(3):31-34. |
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| 作者姓名： | 庞飞 蔡萍 |
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| 作者单位： | 1. 山东大学,文学与新闻传播学院,山东,济南,250100
2. 青岛理工大学,山东,青岛,266520 |
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| 摘 要： | "气"是中国古典美学元范畴之一,它与"道"和"象"一起构成古典美学的生成模式。气能够进入古典美学的视野一方面由于它是这个生成模式的中介环节,另一方面又因为气自身的某些特性与古典美学的内蕴———生命精神、超越精神和"象"之审美精神有着共通之处,它还是使得古典美学核心的"意境"说得以形成的最具决定性的力量。
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| 关 键 词： | 气 生命精神 超越精神 象 |
| 文章编号： | 1671-8372(2004)03-0031-04 |
| 修稿时间： | 2004年4月19日 |
On the aesthetics character of the "Qi" |
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| PANG Fei,CAI Ping.On the aesthetics character of the "Qi"[J].Journal of Qingdao University of Science and Technology,2004,20(3):31-34. |
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| Authors: | PANG Fei CAI Ping |
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| Affiliation: | PANG Fei~1,CAI Ping~2 |
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| Abstract: | Qi is an essential conception of Chinese classic aesthetics, together with "Tao"and"Xiang"(Tao and image). But why Qi can become one of aesthetics conceptions? On the one hand, in the basic fomative pattern of TAO-QI-XIANG, Chinese ancient aesthetics come out, QI is a medium in it. Because TAO is the origin of ancient philosophy, it is the most abstract conception. XIANG is the most reality one. So QI make a very important effection on Chinese ancient aesthetics. On the other hand, QI itself has many characters common with Chinese ancient aesthetics, such as emphasizing life; purchasing trancedence toward reality and making form and image. |
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| Keywords: | Qi emphasizing life trancedece spint Xiang |
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