| 简论门户及其与门神、门画之关系 |
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| 引用本文： | 李麦产.简论门户及其与门神、门画之关系[J].河南教育学院学报(哲学社会科学版),2014,33(6):15-19. |
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| 作者姓名： | 李麦产 |
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| 作者单位： | 河南大学历史文化学院 开封475001 |
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| 基金项目： | 2013年国家社科基金重大项目“大遗址与河洛三代都城文明研究” |
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| 摘 要： | 门神观念是我国传统民俗观念之一,其产生与早期人们对门户的认识与理解相关。门户不仅是建筑实体,且具有多重社会文化意义,具有内涵的丰富性和形式的多样性。出于装点、神秘化门户的需要,门画这种艺术形式得以出现并传承至今,成为当代一类历史文化的活化石。
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| 关 键 词： | 门户 门神 门画 关系 |
On the Relations between the Door,the Door-god and the Door-painting |
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| LI Maichan.On the Relations between the Door,the Door-god and the Door-painting[J].Journal of Henan Education Institute(Philosophy and Social Science Edition),2014,33(6):15-19. |
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| Authors: | LI Maichan |
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| Affiliation: | LI Maichan ( The College of History and Culture, Henan University, Kaifeng 475001, China) |
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| Abstract: | The concept of Door-god is one of the traditional folk ideas in our country, and its being is directly related to the early people＇ s awareness and understanding to the door. The door is not only a kind of architecture entity, but also it has a variety of social and cultural meanings. So the door has a rich connotations and a diversity of forms. In order to decorate and mystify the door, door-painting acting as a form of traditional art appeared and had been passed to today. Door-painting should been regarded as the living fossil of our history and culture. |
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| Keywords: | the door the Door-god the Door-painting relations |
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