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生态视域下桂北壮族用具的设计与审美研究
引用本文:彭国斌.生态视域下桂北壮族用具的设计与审美研究[J].包装工程,2017,38(18):132-135.
作者姓名:彭国斌
作者单位:桂林电子科技大学,桂林,541004
基金项目:国家社科基金艺术学西部项目(14EF153);2017年广西中青年教师基础能力提升项目
摘    要:目的探析桂北壮族传统日常生活用具的设计及其审美表征,了解壮族造物观念与思想。方法从生态学视野出发,通过具体典型案例分析这些传统用具的原生态设计理念,从材料、工艺、结构、功能使用、艺术审美和文化价值取向等多角度进行展开。结论典型的桂北壮族传统用具始终遵循依法自然的原生态设计思想理念,讲究功能上的方便实用,体现出朴素自然的艺术审美,并将理想与情感巧妙地寄情于物,体现了内容与形式,人与自然高度的和谐统一。

关 键 词:生态视域  壮族用具  设计审美
收稿时间:2017/3/27 0:00:00
修稿时间:2017/9/20 0:00:00

Research about Design and Aesthetic of Northern Zhuang Autonomous Traditional Utensils under Ecological Perspective
PENG Guo-bin.Research about Design and Aesthetic of Northern Zhuang Autonomous Traditional Utensils under Ecological Perspective[J].Packaging Engineering,2017,38(18):132-135.
Authors:PENG Guo-bin
Affiliation:Guilin University of Electronic Technology, Guilin 541004, China
Abstract:It aims to explore design and aesthetic representation of traditional daily utensils in northern Zhuang Autonomous, to make Zhuang''s creation idea and conception known by people. Starting from the ecological perspective, through concrete typical cases, it analyzes the natural ecological design concept of these traditional utensils, expanding from the aspects of materials, processes, structure, function utilization, art aesthetic and cultural value orientation. The typical Northern Zhuang Autonomous traditional utensils always follow the original ecological design ideas about laws of nature, stress convenient and practical in function, embody the simple and natural aesthetic, subtly attach ideals and emotion to substance, reflect the high harmony between content and formality, human and nature.
Keywords:ecological perspective  Zhuang Autonomous utensils  design aesthetic
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