楚国丝绸中“扶桑凤鸟纹”造型的象征意义

针对当前学术界中研究战国时期楚国丝绸纹样时出现的"重视动物纹,轻视植物纹"及将植物纹与动物纹割裂的现象,将扶桑与凤鸟合体共生的图形看作一个完整的纹样,提出"扶桑凤鸟纹"的概念,立足于楚人的文化、哲学等因素,一方面要从现代象征思维的角度对传统艺术中"形而上"的精神进行还原、理解,进一步探寻、还原楚人当时精彩纷呈的精神世界。另外一方面要在现代设计中将中国传统造物活动中广泛使用的象征思维方式进行拓展、发扬,为开创新的"中国风"而贡献力量。

The symbolic meaning of “Solar Holy Tree and Phoenix Pattern” sculpt in silk in Chu Dynasty

Directing at the phenomenon that "animal pattern is emphasized,but plant pattern is neglected" and animal pattern and plant pattern are separated,which appears when academic circles study silk patterns of Chu Dynasty,this thesis regards Solar Holy Tree and Phoenix as a completed pattern as well as proposed the idea of "Solar Holy Tree and Phoenix pattern" and analyzes its characteristic modeling.Established on the elements of Chu culture and philosophy,it is necessary to restore and understand the "metal-physical" spirit as well as explore and restore people’s colorful spiritual world in Chu Dynasty from the perspective of modern thoughts.On the other hand,it is essential to expand and develop traditional symbol thoughts which are widely used to model objects in modern design in order to contribute to the innovation of "Chinese style".