| 浅谈我国古代文艺作品中的影射技法 |
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| 引用本文： | 陈大维.浅谈我国古代文艺作品中的影射技法[J].广州大学学报(社会科学版),2002,1(11):38-43. |
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| 作者姓名： | 陈大维 |
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| 作者单位： | 广州大学,人文学院,广东,广州,510405 |
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| 摘 要： | 影射 ,作为一种文学技巧 ,最先出现在《诗经》 ,日后由于意识形态变化的原因 ,并在儒家文学观的指引下 ,逐渐推广到辞赋、散文、小说、词曲和戏剧所有文学领域 ,表现形式也由单一的比喻象征发展到多种类型 ,形成姿态横生、形式大备、羽翼丰满的艺术手段
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| 关 键 词： | 影射 传统 针砭时弊 避实就虚 |
| 文章编号： | 1671-394X(2002)11-0038-06 |
| 修稿时间： | 2002年8月22日 |
On Allusion as a Literary Technique in Ancient Chinese Literature |
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| CHEN Da-wei.On Allusion as a Literary Technique in Ancient Chinese Literature[J].Journal of Guangzhou University(Social Science Edition),2002,1(11):38-43. |
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| Authors: | CHEN Da-wei |
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| Abstract: | Allusion as a literary technique first appeared in The Book of Songs and later because of the shift of the ideology it spread to all literary areas,such as Cifu (poetic prose),prose,novel,Ciqu (poetry written to certain tunes in fixed number of lines and words) and drama guided by Confucian literary idea. The forms of expression of allusion developed from single metaphor to many types and thus formed varied mature artistic medium. |
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| Keywords: | allusion tradition satirize current affairs stay clear of the enemy's main force and strike at his weak points |
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