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明式家具与文艺复兴式家具文化的审美意识比较
引用本文:袁鸿牧.明式家具与文艺复兴式家具文化的审美意识比较[J].文山师范高等专科学校学报,2011,24(4):113-117.
作者姓名:袁鸿牧
作者单位:文山学院党委宣传部,云南文山,663000
摘    要:明式家具与文艺复兴式家具在历史上基本同期,都属于中西家具发展史上的重要风格。其家具文化的审美意识比较是中国传统家具与西方古典家具的对话,更是中国传统审美观念和西方审美价值观念的碰撞。文章通过比较得出了不同文化背景下各自具有的家具文化特征及审美特点,从而进一步充实家具设计理论。

关 键 词:家具文化  审美意识  审美比较

Aesthetic Consciousness Comparative Study of the Ming Dynasty and Renaissance Style Furniture
YUAN Hong-mu.Aesthetic Consciousness Comparative Study of the Ming Dynasty and Renaissance Style Furniture[J].Journal of Wenshan Teachers College,2011,24(4):113-117.
Authors:YUAN Hong-mu
Affiliation:YUAN Hong-mu (Publicity Department, Wenshan University, Wenshan 663000, China)
Abstract:Ming furniture and the Renaissance-style furniture, roughly the same period historically, conveys the important styles of Chinese and Western furniture development. Aesthetic consciousness comparison of furniture culture is not only the dialogue between Chinese traditional furniture and western classical furniture, but also the collision between traditional Chinese and Western aesthetic values. The paper obtains different furniture cultural characteristics and aesthetic features under different cultural backgrounds which further enrich the furniture design theory.
Keywords:furniture culture  aesthetic consciousness  aesthetics comparison
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