分形艺术视角下的德罗斯特效应研究

目的 研究德罗斯特效应中的分形艺术原理，掌握德罗斯特效应图像的设计制作方法。方法 从分析分形艺术原理入手，通过数理原型、构成法则和美学特征3个方面，在分形艺术视角下展开对德罗斯特效应的全面研究，总结德罗斯特效应图像“回”形范式与“海螺”形范式的共通性与区别，并应用Photoshop和GIMP软件制作范式图像。结论 德罗斯特效应图像的两种范式都具备相似的“镜中镜”特征或者“三维螺旋线”数理原型特征；在构成上，其自相似性和可无限缩放的特性属于分形艺术的范畴；图像的视觉特效给人们带来了新的情感体验与审美感受，并有助于提高人们的平面设计水平。

Analysis of Droste Effect from Perspective of Fractal Art

It aims to explore and understand the principle of fractal art in the Droste effect and master the design and manufacture method of Droste effect image. Starting with the analysis of the fractal art principle, the Droste effect was studied from the three aspects: mathematical prototype, composition rules and aesthetic characteristics from the perspective of fractal art to sum up similarities and differences between the two paradigms of the Droste effect image -- the "Hui" shape and the "conch" shape. Photoshop and GIMP software were used to make paradigms. Droste effect images had similar "mirror in mirror" features or "three-dimensional spiral" mathematical prototype features. In composition, both of them have the characteristics of self-similarity and infinite scaling and belong to the category of fractal art. Their visual effects bring people new emotional experience and aesthetic feeling and help to improve the level of people''s graphic design.