我国家具快速发展的因素

加入WTO后,我国家具业飞速发展,获得前所未有的企业规模、商业契机和发展趋势。本文从低廉的成本、稳定的政局、先进的设备、技术、设计理念及管理方式等诸方面探讨中国家具快速发展的因素。     

探析新时代背景下中国家具设计的走向

本文阐述了我国前一时期家具行业存在的弊端,分析了我国家具业弊端的缘由及解决的方法,提出了中国家具业要告别依靠高投入、粗放式外延扩张来实现产业增长的方式。论述了今后的增长将主要依靠技术进步来实现,首先要更新设计理念,走出有中国特色的家具业之路,对中国现代家具设计方法、设计元素、设计观点进行了详细的论述并对未来中国家具业的进行展望。     

中国传统家具造型的传承与创新

中国传统家具源远流长,经过千年历炼在明清时期达到历史颠蜂,然而随着国门的被迫打开。中国家具经历了动荡起伏的局面。笔者深入解读中国传统家具发展现状,探讨萁造型的演变以及近现代尝试与不足,最后对中国传统家具的传承和创新提出自己观点。     

“哥窑”文化在家具设计中应用

本文通过对宋代"五大名窑"之一"哥窑"文化特点进行研究与理解,并将其运用于家具设计中。以金属和玻璃为原材料,充分考虑"金属·玻璃"元素特点、表达的意义,设计出实用、美观、时尚和经济性较高的作品,并力求体现环保、经济、节约等主题。     

Match between school furniture dimensions and children's anthropometry

The purpose of the study was to examine whether school furniture dimensions match children's anthropometry. Children aged 6-18 years (n=274), divided into 3 groups on the basis of the used furniture size, were subjected into anthropometric measurements (shoulder, elbow, knee and popliteal height, buttock-popliteal length and hip breadth). Combinational equations defined the acceptable furniture dimensions according to anthropometry and match percentages were computed, according to either the existing situation--where children use the size assigned for their grade--or assuming that they could use the most appropriate of the sizes available. Desk and seat height were bigger than the accepted limits for most children (81.8% and 71.5%, respectively), while seat depth was appropriate for only 38.7% of children. In conclusion, the assumption that children could use the most appropriate yet available size significantly improved the match, indicating that the limited provision of one size per cluster of grades does not accommodate the variability of anthropometry even among children of the same age.     

融·简中的藤文化——赏析新东方“青藤”系列家具

本文通过对"融·简"的认识,以此上升对于以藤作为一种家具表现材料的思考,又以具体案例—"春在中国"进行实例解说,最后回归于"融·简"文化。     

Evaluation of a prototype multi-posture office chair

Office chairs have often been designed to promote a single ‘correct’ rather rigid and upright posture, yet it is acknowledged that allowing changes in posture is good ergonomics practice. The present study investigated office worker's preferences for a standard shaped typist's chair (ST) and a prototype multi-posture (PMP) office chair designed to allow its users a variety of sitting positions. Forty-two (22 male and 20 female) telesales personnel (12), clerical staff (12) and researchers (18) used ST or PMP in their workplace for the first week of a 2-week study (with an even number in each work area). The PMP chair was introduced to participants with a brief lecture on how to use it and with an information booklet. Following this, each participant completed a chair comfort questionnaire. In the second week, participants swapped chairs and again completed the chair comfort questionnaire. At the end of the second week participants were also asked to complete a separate questionnaire about the usability of the information booklet that accompanied the PMP chair. Statistically significant differences in subject's rating of the two chairs were observed in 7 out of 19 questions. On a 100 mm scale, the ST chair was rated as having a greater mean overall acceptability, desirability and suitability for body build than the PMP chair. Participants also claimed to achieve better posture in the ST chair, that they tipped forward less and were more satisfied with its width. Although the participants generally preferred the ST chair, the PMP chair received more favourable ratings among the researchers who were quite mobile in their work, and in whom there was a trend for less neck, shoulder and upper back discomfort. More participants reported an overall preference for the PMP chair. The findings suggest that a more aesthetically acceptable PMP chair should be developed, peoples' reasons for preferring a more traditionally designed chair should be explored, and that the effect of postural stability education on personal preconceptions should be examined to obtain an optimal combination of healthy sitting habits, comfort and aesthetic qualities in an office chair.     

浅谈原创家具设计的现状及其发展

通过对原创家具设计的现状进行调研,对中国原创力量进行分析,指出了中国家具行业"先天不足,后天畸形"的现象,并探索其产生根源。同时强调了中国原创的崛起与发展,为家具原创设计的发展提供参考性建议。     

家具卖场体验式设计浅析

体验经济是一种全新的经济形态,它的提出展示了经济社会发展的方向,孕育着消费方式及生产方式的重大变革,适应体验经济的快慢将成为企业竞争胜负的关键。本论文通过对体验的商业价值剖析,体验设计过程解析,及家具行业外体验设计案例分析,得出体验设计的必要性和可行性,从而探索一条家具卖场可行性的体验设计之路。     

谈交椅

本文通过试着对交椅文化的述说,希望能让读者对它有更好的认识。交椅,因其下身椅足呈交叉状,而故名曰。交椅由交杌演变而来,交杌古称胡床,又叫马扎。胡床在汉代由北方游牧民族传入,后逐渐发展成为带靠背的交椅。交椅在明代时期,其造型、结构、装饰更趋完美。可是随着时代的变迁,交椅这种家具样式在今天的实用性已变得不够广泛,所以很少有人知道所谓的"交椅"为何物。