对建筑本土化表达的探索——以南京陵园小筑建筑改造为例

结合南京陵园小筑建筑改造方案的设计,在充分考虑了当地气候特点、环境特征和建筑文脉后,从总平面的规划、建筑单体设计、建筑造型和材料使用等方面,对建筑的本土化表达进行了探索和研究。同时提出一些新的见解,倡导建筑师在设计实践中对我国地域文化与建筑设计的结合进行积极的思考和运用。     

室内设计中的地域性——论中国传统空间理念在现代室内设计中的运用

地域性文化在室内设计中扮演着极其重要的作用,本文汲取了"中国传统空间理念"这一点,意在对如何将"中国传统空间理念"在现代设计中的传承与发展这一问题进行思考,从具体手法方面来阐述中国传统空间理念在室内设计中的运用。     

论全球化背景下现代地域建筑的发展

通过对传统地域建筑主要成因与现代地域性建筑实践的分析,从深层次上认识建筑的本质内涵与发展演变规律,进一步探讨全球化背景下地域建筑体系的如何更新与重构．     

现代主义之后与当代重庆建筑

重庆近20年的建筑发展如同现代建筑思想转变史的缩影,反映了重庆进入商品经济社会以后现代主义建筑思想的扩散、转变及地方经济崛起后,建立起稳定的地域建筑文化之趋势。     

Bridge over broadway

Abstract

In the middle of the 19th century, traffic congestion on the streets of New York City's commercial districts was, as it remains today, a major problem. Getting around town was especially difficult for pedestrians. Numerous solutions to ease the situation were proposed. One popular idea that had been discussed for years was finally tried in 1867. A bridge for pedestrians was built spanning the intersection of Broadway and Fulton Street in the heart of crowded lower Manhattan. Officially called the Broadway Bridge it became more commonly known as the ‘Loew Bridge’ after City Alderman Charles E. Loew, a major proponent of the project. As successful and practical as the bridge might have been it was removed a year following its erection. Its short life has been attributed to Knox, the famous hatter, who, with a store on one corner of the intersection and competition all around him, apparently felt it was a deterrent to business. According to one newspaper account, a sign was hung on the bridge just before its demolition that read, ‘This bridge has been Loew for some time, Hard Knox killed it.’     

论批判性地域建筑的特征--以张家界黄龙洞哈利路亚音乐厅为例解析

在现代气息的影响下,都市里到处都是高楼大厦,现代建筑与传统的地域性建筑形成鲜明的对比,我们传统的精髓正在慢慢地被吞噬,因此批判性地域建筑应运而生.本文从分析张家界当地传统地域性建筑来与黄龙洞哈利路亚音乐厅建筑相比较,解析批判性地域主义建筑的特征.     

汉阴县城城市空间发展及驱动机制研究

笔者希望通过解读汉阴县城地域性及城市空间发展历程，以求在寻找汉阴县城在漫长历史中城市空间演化的蛛丝马迹的同时，探寻汉阴县城城市空间发展的方向。     

Beyond the romantic and naı¨ve: the search for a complex ecological aesthetic design language for landscape architecture in New Zealand

Landscape design is an expression and repository of cultural values and beliefs, and in Aotearoa, New Zealand, the designed landscape faces particular challenges. Globalization is seen as a potential threat to landscape identity, which is even more significant for a country which has built its economy and self-image from its unique natural landscape. The potential for resistance is limited by the small size and youth of the profession of landscape architecture in New Zealand. While traditions of farming and gardening extend back to early European settlement in the mid nineteenth century, and beyond to indigenous Maori practices of land modification, professional landscape design is a relatively recent development (the first tertiary course in landscape architecture began at Lincoln College (now Lincoln University) in 1969). Landscape design in New Zealand draws its vocabulary from the power of the country's natural heritage landscapes, convinced that a naturalistic aesthetic exclusively represents environmental health. Some of the core values of New Zealand society are, however, overlooked by designers. The need to develop a critically informed design language which includes the farming landscape along with the natural one is argued. The invention of such a language, referred to as a complex ecological aesthetic, is seen as a potential source of design expression that is invigorated by the tension between mechanistic and natural landscape aesthetics. It therefore has the potential to promote environmental health, while being regionally grounded, and can help face the challenges that globilization poses to the landscape.     

基于地域的景观温室热带雨林展示区 景观设计

通过对原生热带雨林景观特征的研究以及中国3个 以植物原生境为展示特色的植物园景观温室热带雨林展示区的 调查研究,发现景观温室设计上对雨林原生状态景观的表现存 在雨林类型呈现不完全、地域性不足、整体性不明显等问题。 在世界热带雨林各分布区地域特征分析的基础上,提出景观温 室热带雨林展示区以非洲雨林群系、美洲雨林群系以及印度- 马来雨林群系作为主题。从不同地域主题出发,从地形、土 壤、水体、文化、植物等景观要素的设置上进行景观设计,旨 在展现不同雨林群系的地域特色,为景观温室热带雨林展示区 景观设计提供参考。     

新区域主义的发展观、方法论及其启示

探讨了20世纪出现的新区域主义的研究状况。阐述了其主要特点:①关注区域特性,采用实地考察与系统分析相结合的方式研究区域;②关注当前城市、区域发展过程中出现的各种社会问题;③综合平衡区域社会公平、环境保护、经济发展的发展目标;④强调不同尺度区域空间规划相结合的重要性,并主张采用更加积极、民主的规划方法。在此基础上,本文分析了新区域主义对我国区域规划和区域协调发展的启示。