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1.
Could we be unwittingly divesting too much control in technology? In so doing, could we be sleepwalking into a future in which our personal assets are no longer ours, but all too easily relinquished by the bank or mortgage company? Molly Wright Steenson , an assistant professor in the School of Journalism and Mass Communication at the University of Wisconsin-Madison, thinks so. She evokes an arresting vision of a close future in which our smartphones and the operating systems integrated within our cars and homes become our friend-enemy, immediately locking us out when they are no longer programmed to respond directly to our touch.  相似文献   

2.
A mixed-use programme for Penang in Malaysia with the potential to accommodate a resident population of 27,000 required OMA to operate at a planning level, while providing architectural definition. João Bravo da Costa describes how this led to a strategy that focused on types rather than objects, and specifically a typological distribution of programme across the site.  相似文献   

3.
The density of development in Belgium is such that the entire country has become an open city, with little sense of where one metropolitan area begins and another ends. Bruno De Meulder describes the underlying logic of this unbroken urbanscape, and the opportunity it affords for re-editing and reinserting informal social spaces in areas of wasted land. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

4.
Mike Wells , the Director of Biodiversity by Design, and Ken Yeang outline the need for biodiversity targets in architecture to provide a more far-reaching basis for green design. Rather than just literally ‘greening’ a building by covering it with foliage, they seek to encourage designers to engage with wider ecological processes and in more specific detail. Copyright © 2010 John Wiley & Sons, Ltd.  相似文献   

5.
《Architectural Design》2007,77(6):124-124
Ann Pendleton-Jullian practises from Cambridge, Massachusetts, where she also teaches at MIT. This combination of teaching and practice allows her to consider the vital exchange between ideas and architecture that is evident in both her commissioned work and her theoretical projects. Her work has been cited for the manner in which it poeticises the intersection between pragmatic concerns and the ‘ambitions of the imagination’. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

6.
Valentina Croci kicks off a new series on interactive technologies with an investigation of the integrated, interdisciplinary research of the new media artist Brigitta Zics. Zics' projects throw light on how conventional architecture might learn from the interactive, placing a greater understanding on the sensory and the user's perceptual experience of a particular space. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

7.
Urban Wash     
Sean Lally of WEATHERS urges designers to realise the performative capabilities of the ambient effects of the urban wash – the artificial light given off by cities at night. Taking up this principle of a wash within his designs for the Museum of the Second World War in Gdansk, he demonstrates how a ‘climatic wash’ could create an artificial microclimate that extends the seasonal activities of the museum's programmes.  相似文献   

8.
Because of their textural and sensory qualities – even or uneven, smooth or rough, cold or warm, reflective or matt – particular materials tend to evoke particular moods. But this does not mean that their nature and structure cannot be played with in order to create surprising atmospheres. London-based design practice Eragatory's ‘Intimacy’ series of interiors does just that, producing visual anomalies that distort the viewer's material understanding of space. Isaie Bloch , the firm's founder, describes how.  相似文献   

9.
Brett Steele, former director of the Architectural Association's Design Research Laboratory (AADRL) and now director of the Architectural Association, reflects upon the DRL as a laboratory for the production of a different kind of student and teacher, and ultimately as a new model for architectural education. His ‘screenshots’ offer an informal image/text-based window through which to browse the general atmosphere of that research endeavour. The DRL was also very active in employing outside specialists from a variety of disciplines including computer programming and robotics. These interests were situated within the DRL's much larger ambition of rethinking the very definition of research itself, not isolated in the purely reflective interests of history and criticism but based on the projective desires of innovation. Moreover, the organisation of these new laboratories of design life begin to resemble their objects of study. Copyright © 2006 John Wiley & Sons, Ltd.  相似文献   

10.
Since 2003, Benjamin Bratton and Hernan Diaz-Alonso have conducted a series of parallel theory seminars and design studios at SCI-Arc (Southern California Institute of Architecture). These collaborations have addressed questions of collectivity at varying scales: personal (between two individuals, each with separate professional practices), institutional (between two disciplinary positions, one analytical and the other creative) and cultural (between what is inside and outside the architectural imaginary). The work featured in the article represents another primary mandate of their interinstitutional project: the transdisciplinary implications of design as a general form of practice as opposed to the historical definitions of ‘architecture’ or the architect. Copyright © 2006 John Wiley & Sons, Ltd.  相似文献   

11.
ABSTRACT

Visions in planning of what a city could or should be tend to be constructed around metaphors, rhetorical tropes that crystalize the image of a preferable future city. Such metaphorizations are never innocent: they draw on pre-existing cultural narratives and activate particular frames of expectation. This article examines two metaphors used in the planning of New York City, and its shores, in particular: the spectre of the ‘valley of ashes’ and the dream of the ‘fresh green breast’. These metaphors, taken from F. Scott Fizgerald’s novel The Great Gatsby (1925), appear time and again in the planning and thinking of the New York shoreline, from Robert Moses’s plans for Flushing Meadow to Major Bloomberg’s waterfront development and Eric Sanderson’s vision of a 2406 New York in Mannahatta (2006). This article examines how the metaphors of the ‘valley of ashes’ and the ‘fresh green breast’ have been adapted throughout decades of planning New York City to accommodate changing relationships, conflicts and ideals, always infused by a pastoral undercurrent that is already questioned in Fitzgerald’s novel.  相似文献   

12.
‘Cities hold two-thirds of their residents in slums, and the rest in stiflingly limiting, inflexible structures.’ Thus the impoverished parochial Mumbai is one and the same metropolis as the cosmopolitan globalised ‘Bombay’. Ramesh Biswas examines how the speculative housing developments of the aspirational middle classes are creating townships that intensify sprawl and further decentralise cities, squandering the potential for upgrading public space and creating an architecture for the common good. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

13.
Rem Koolhaas famously highlighted the uniformity of Chinese cities with his identification of ‘the generic city’ in the Pearl River Delta in the 1990s. Here Jiang Jun , Editor-in-Chief of Urban China magazine, and Kuang Xiaoming highlight the ‘unified diversity’ and complexity of contemporary urbanism through his own system of classification. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

14.
The London Blitz has come to epitomise the golden age of urban togetherness and bonhomie when the public was bound by a common enemy threat. Through his reading of Thomas Pynchon's Gravity's Rainbow, literary critic Bruce Robbins questions the archetypal view of the Second World War as a watershed after which the ideal intact city and its community were ultimately destroyed. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

15.
At the level of global culture, the impact of elegant buildings is magnified where there is a seamless integration of complex parts and fabrication expressed through a mastery of techniques and transformative set of features. Hani Rashid of Asymptote explains how, in working at an international scale, the practice is now seeking to propagate innovative design through a ‘developed understanding of the multiple levels of local responses that affect both local and global conditions’. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

16.
A graduate in architecture and urbanism from TU Delft, David Rutten works with software company Robert McNeel & Associates (RMN). The developer of Grasshopper®, he was recently awarded the ACADIA 2012 award for innovative research. The Galapagos plug-in, which Rutten has developed for Grasshopper®, implements two generic solvers (one using a genetic algorithm and one using a simulated annealing algorithm). A generic solver will find a solution to a problem that can be expressed in a mathematical way; however, as he explains here, while these solutions may not be exact, they will be very good.  相似文献   

17.
By focusing on a ‘scientific approach’ that emphasises the importance of cause and effect, Josep Lluís Mateo/MAP has developed a design for the Camp Nou Stadium in Barcelona that is less about spectacle and more about the people it accommodates. Croatian critic and architect Krunoslav Ivanisin admires the structure for the ‘inherent logic of its parts’, but also for its prioritisation of communal life. Copyright © 2009 John Wiley & Sons, Ltd.  相似文献   

18.
What makes a successful city? Can this be replicated simply by following tried-and-tested urban typologies? Francis Aish, Adam Davis and Martha Tsigkari of Foster + Partners' Applied Research + Development (ARD) group argue that technology allows other approaches to urban design. They explain that computational simulation is increasingly valuable in predicting how the dynamic and complex systems of a city might play out in an urban context, forging an exciting new alliance between computation and intuition.  相似文献   

19.
Sean Lally of WEATHERS lets out a rallying cry to all architects. He calls on them to make environmental conditions the subject of design rather than regarding them as a standardised part of a building's services. Here he highlights the potential of material systems, which are usually applied to conditioning the interiors of buildings, in the generation of new forms and activities; whether it is in the honing of the performance aspect of a building's function, as in the Water Cube at Beijing (2008), or in the seasonal planning that underpins the concept behind WEATHERS' Wanderings project (2008-9). Copyright © 2010 John Wiley & Sons, Ltd.  相似文献   

20.
The shop floor of the department store has increasingly become a cluttered no-man's-land, no more than a space between competing branded concessions. Howard Watson describes how at Lotte, a department store in Seoul, South Korea, Universal Design Studio has applied its subtle decorative design style – first launched internationally in the Stella McCartney stores – to unifying effect. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

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