浅绛彩绘别有临池--纪念珠山浅绛彩艺术大师汪大沧("珠山八友"之一)

景德镇置镇千年之际,亦是珠山浅绛彩艺术大师汪大沧诞辰 1 0 5 周年。追忆其艺术生涯,评析其艺术成果,以及就“珠山八友”定义,笔者提出有广义和狭义之二分法,认为汪大沧应属广义“珠山八友”的首席重要人物,为汪大沧正名,即汪大沧属“珠山八友”之一。     

瓷都"珠山八友"

景德镇“珠山八友”将国画艺术与文学艺术引入陶瓷装饰，并注重陶瓷画及其它工艺特点，注重作品题材与艺术形式上的开拓与创新，将景德镇陶瓷绘画推上一个新的艺术高峰，给景德镇陶瓷装饰带来深刻影响。由于“珠山八友”在景德镇陶瓷艺术史上占有特殊地位，因此，谈景德镇陶瓷艺术，就必须讨论“珠山八友”。只有讨论到“珠山八友”，则关于景德镇陶瓷艺术的探讨才有深度，才得以全面、完整。     

论绘瓷艺坛上的“珠山八友”

早在四十年代,就闻景德镇绘瓷艺坛上的“珠山八友”之大名,并曾一一拜读过他们的作品。五十年代至六十年代中期,我又先后幸运接触和拜访过他们之中的健在者——人物画家王大凡和花鸟画家刘雨岑二位老先生,开始收集、查阅有关“珠山八友”的记载,这对于我后来特别是进入八十年代以后不断考证“珠山八友”在我国绘瓷史上的贡献起了很大的作用。现在,我想就有关“珠山八友”的问题,试图作一次全面论述。     

回忆我的师兄曾福庆

我的师兄曾福庆是“珠山八友”之一王大凡的开门弟子，上世纪三四十年代，他的人物画在景德镇陶瓷界颇具盛名。当时，“珠山八友”被称为景德镇瓷坛的“八大名家”，他与余文襄，毕渊明等亦有“八小名家”之称。     

景德镇"珠山八友"粉彩瓷辨识略谈

随着收藏热的兴起，景德镇“珠山八友”粉彩瓷的艺术价值也不断攀升，其富有个性的艺术风格和审美理念，吸引了全国各地收藏爱好者的眼球，以收藏其作品为幸事。有报导说：北方某大城市一报社记者收藏了整厅的“珠山八友”的粉彩瓷；殊不知，由于时代和手工艺制作的局限，“珠山八友”的作品其实产量并不高，自上世纪八十年代后社会有广泛的需求，故仿制的赝品大量问世也就不足为奇了。     

黄山樵子——毕伯涛

毕伯涛是“珠山八友”早期成员之一。由于其遗世作品较少，也因其不求闻达的性格所致，史料记载也较罕见：另则出于个别人的微词，故对毕伯涛是否为“珠山八友”之一存在歧议。笔者为此曾走访瓷苑耆宿，询问其亲属故友，查阅档案，草就陋文，以正视听。     

“要学习“珠山八友”求变创新的精神”

近年米，景德镇明清御窑瓷器拍卖高潮不断，价位屡创新高，但也意味着它的升值空间达到了一定的限度。因而拍卖市场出现了民国精品瓷，尤其是“珠山八友”瓷受到追捧的局面。有报道称，进入新世纪“珠山八友”瓷卖价涨幅一年比一年大。如王大凡所绘的“一苇渡江”瓷板在1990年的价位仅为8000元左右，     

谈“珠山八友”彩瓷绘画的艺术风格

"珠山八友"的瓷画作为一种独特的艺术形式,其美学思想,情感品格都使他们艺术鲜明地区别于同代的陶瓷艺人,独树一帜,开拓了陶瓷艺术的全新风貌,成为中国陶瓷艺术的重要里程碑。一、"珠山八友"彩瓷绘画美学的内涵"珠山八友"打破传统绘画细致分工的界限,为达到理想的艺术效果而自己绘画、填色等等。"珠山八友"的作品,无论是对文人画审美意趣的执著追     

"珠山八友"创新精神和瓷画艺术永放光辉--读大型画册《珠山八友》有感

首先，我热烈祝贺专门评价我国第一个陶瓷艺术流派“珠山八友”的大型画册出版发行!     

佩古斋主——程意亭

提到“珠山八友”的画，搞花鸟装饰的就很自然的想起擅长画花卉翎毛的程意亭。     

基于OPCHDA技术的历史数据通讯系统的实现

针对过程控制系统中历史数据通讯接口复杂、数据量大等特点,以OPCHDA技术为基础,构建了一个三层的历史数据通讯系统,并以FPSO历史数据通讯系统为例,详细论述了整个系统的实现过程及其关键技术,为过程控制系统的历史数据通讯提供了一个可行的解决方案.     

Prediction of water and oil percolation thresholds of a microemulsion by modeling of dynamic viscosity using response surface methodology

This paper presents the application of Design of Experiments to predict water and oil percolation thresholds of a microemulsion using dynamic viscosity data as a function of water volume fraction. One-factor and historical data were the two investigated design types of response surface methodology. The models were validated and maximized. The predicted water and oil percolation thresholds using historical data design were close to their experimental values. The oil percolation threshold could be predicted more precisely using one-factor design than historical data design while one-factor design can capture the relationship between the response and design factor with fewer experimental data.     

中国古代陶瓷人物纹饰探析

本文从陶瓷装饰艺术角度出发，在描述人物纹饰在各个特定的历史时期运用状况的同时，揭示了其作为一种文化现象的本质属性并予以美学、历史、文化意义上的提升，从而为现代装饰艺术提供参考。     

管道中心线应变检测系统的改进与应用

针对管道中心线应变检测缺陷点的定位问题和多次管道内检测的里程误差,提出一种以管道环焊缝为参考点对管道检测历史数据进行对齐的方法。现场应用表明该方法可以将多次内检测数据对齐,可有效利用历史检测数据评估管道中心偏移。     

Colour fragmentation measurement in a historic area: Using Shanghai Old Town as an example

Under the background of urban renewal protection and old city transformation, problems such as clutter, distortion, and disorder appear in the historical style area. These problems have greatly impacted and damaged the cultural heritage and historical research of the style area. To carry out the urban renewal movement more reasonably, this article selects the historical features of the Old Town of Shanghai for empirical research, uses the colour patch concept and fragmentation index for a quantitative analysis, and divides the study area fragmentation level. The study found that the number and types of colour patches in the Old Town are many, and the yellow system is highly fragmented in the Old Town, which means that the human environment in the colour style area is lost. The main reasons are the rise of modernist architecture and new materials. Three aspects are involved in the widespread use of policy and out-of-control management of the policy; therefore, attention should be paid to the updating of future historical style areas: protecting the authenticity of colours, maintaining colour integrity, and continually retaining colour memories in cities.     

Fault Prediction Based on Dynamic Model and Grey Time Series Model in Chemical Processes

This paper combines grey model with time series model and then dynamic model for rapid and in-depth fault prediction in chemical processes. Two combination methods are proposed. In one method, historical data is in-troduced into the grey time series model to predict future trend of measurement values in chemical process. These predicted measurements are then used in the dynamic model to retrieve the change of fault parameters by model based diagnosis algorithm. In another method, historical data is introduced directly into the dynamic model to re-trieve historical fault parameters by model based diagnosis algorithm. These parameters are then predicted by the grey time series model. The two methods are applied to a gravity tank example. The case study demonstrates that the first method is more accurate for fault prediction.     

Spectroscopic analysis of Turkey red oil samples as a basis for understanding historical dyed textiles

Heritage conservation science is a valuable technique for improving understanding and the preservation of historical objects. Material analysis of heritage textiles and related materials provides information about polymer and colorant degradation, and contributes to improved conservation and display practices. The re‐creation of materials following historical processes is useful for testing analytical techniques in a field where ethical constraints often limit sampling, and to also identify potential age‐related changes relative to a fresh product. Despite the broad historical interest and industrial significance of Turkey red from the late eighteenth to the nineteenth century, little about the chemical complex of these unique textiles was understood in scientific terms. This study applied modern analysis with ¹H and ¹³C nuclear magnetic resonance (NMR) spectroscopy to investigate the conclusions reached by nineteenth century chemists, that fatty acids were a key component of the oil treatment, a unique and vital aspect of the Turkey red dyeing process. The results show that Turkey red oil samples are composed of fatty acids which tend to polymerise over time, and that modern commercial Turkey red oil has a similar composition to historical samples and a replica sample made following a nineteenth century method. This information was used to form a hypothesis for the overall Turkey red complex on the fibre, and confirmed that the experimental work of nineteenth century chemists was theoretically accurate despite their lack of precise analytical techniques. This indicates that a re‐creation and analysis approach is effective for studying heritage materials, provided the historical practice for making the original object is taken into consideration.     

景德镇陶瓷历史文化旅游设计研究

景德镇是中国历史文化名城,享誉世界的＂瓷都＂,在长期历史积淀中,形成了独具魅力的陶瓷历史文化。开展对景德镇市陶瓷历史文化的设计,合理开发景德镇旅游资源,树立景德镇＂瓷都＂形象,将为景德镇旅游业的跨越式发展提供动力。     

唐代中日佛教干漆造像交流研究——以鉴真东渡为例

文章以唐代中日佛教干漆造像交流为研究对象,以鉴真东渡为切入点,通过历史文献等资料整理,从历史学和社会学,艺术学,设计学的角度对鉴真东渡的历史背景、鉴真六次东渡及东渡后对日本佛教干漆造像的影响三个方面进行分析和阐述,结合日本奈良时代特定的历史环境和背景,探究唐代中日佛教干漆造像交流脉络,揭示鉴真东渡及其团队对日本佛教干漆造像的深远影响,为唐代中日佛教干漆造像交流研究提供新的研究思路。     

浅析后现代主义卫浴产品设计

后现代主义卫浴产品设计主张继承历史文化传统，注重历史文脉的延续，并与现代技术相结合；它提倡装饰主义、折衷主义。以充分满足不同消费者多元化的需求。后现代主义卫浴产品设计秉承设计以人为本的原则，强调人在技术中的主导地位．突出人机工程在卫浴产品设计中的作用．对当代卫浴产品设计而言仍然具有十分重要的启示作用。