Firefly: Interactive Prototypes for Architectural Design

Andrew O Payne of LIFT architects and Jason Kelly Johnson of Future Cities Lab describe the Firefly plug-in for Grasshopper® they have developed, which extends geometric control beyond the virtual parametric model to the real world of machines and mechanisms. Firefly also enables communication to flow in the other direction, allowing virtual building models to be informed by, and interact with, data from the real world.     

Kangaroo: Form Finding with Computational Physics

A trained architect, who works with the Specialist Modelling Group (SMG) at Foster + Partners, Daniel Piker is also the developer of the Kangaroo plug-in for Rhinoceros® and Grasshopper®. He explains how Kangaroo has been devised to simulate aspects of the behaviour of real-world materials and objects in order to modify designs in response to engineering analyses, engendering an intuitive sense of the material world.     

Urban Wash

Sean Lally of WEATHERS urges designers to realise the performative capabilities of the ambient effects of the urban wash – the artificial light given off by cities at night. Taking up this principle of a wash within his designs for the Museum of the Second World War in Gdansk, he demonstrates how a ‘climatic wash’ could create an artificial microclimate that extends the seasonal activities of the museum's programmes.     

The Generic City and its Origins

Bill Hillier , who is now Professor of Architectural and Urban Morphology at the University of London and Director of the Space Syntax Laboratory at University College London (UCL), is well known for establishing the space syntax approach in the 1970s. Here he explores the origins of the generic city, revealing how the economic and social factors that shape cities manifest themselves in a common pattern of a network of streets, which are further analysed by mapping through movement with the aid of ‘space syntax’.     

Crisis! What Crisis? Retooling for Mass Markets in the 21st Century

From his base in Southeast Asia, Tom Verebes , Associate Professor in the Department of Architecture at the University of Hong Kong (HKU), asks what the hardcore realities are for robotics in architecture in this new ‘Asian Century’. At a time when China strives to accommodate 10 million new urban citizens each year by rolling out high-rise residential blocks with standardised serial production techniques, what hope is there that the homogeneous Chinese city will apply robotic tools of mass customisation for the construction of distinctive, rather than generic structures?     

Eat Me… Drink Me…

Sean Lally of WEATHERS lets out a rallying cry to all architects. He calls on them to make environmental conditions the subject of design rather than regarding them as a standardised part of a building's services. Here he highlights the potential of material systems, which are usually applied to conditioning the interiors of buildings, in the generation of new forms and activities; whether it is in the honing of the performance aspect of a building's function, as in the Water Cube at Beijing (2008), or in the seasonal planning that underpins the concept behind WEATHERS' Wanderings project (2008-9). Copyright © 2010 John Wiley & Sons, Ltd.     

The Taxonomy of Contemporary Chinese Cities (We Make Cities): A Sampling

Rem Koolhaas famously highlighted the uniformity of Chinese cities with his identification of ‘the generic city’ in the Pearl River Delta in the 1990s. Here Jiang Jun , Editor-in-Chief of Urban China magazine, and Kuang Xiaoming highlight the ‘unified diversity’ and complexity of contemporary urbanism through his own system of classification. Copyright © 2008 John Wiley & Sons, Ltd.     

Old Dispersions and Scenes for the Production of Public Space The Constructive Margins of Secondarity

The density of development in Belgium is such that the entire country has become an open city, with little sense of where one metropolitan area begins and another ends. Bruno De Meulder describes the underlying logic of this unbroken urbanscape, and the opportunity it affords for re-editing and reinserting informal social spaces in areas of wasted land. Copyright © 2008 John Wiley & Sons, Ltd.     

Treatment 1: Notes from an Informal Discussion on Interinstitutional Design Research and Image Production

Since 2003, Benjamin Bratton and Hernan Diaz-Alonso have conducted a series of parallel theory seminars and design studios at SCI-Arc (Southern California Institute of Architecture). These collaborations have addressed questions of collectivity at varying scales: personal (between two individuals, each with separate professional practices), institutional (between two disciplinary positions, one analytical and the other creative) and cultural (between what is inside and outside the architectural imaginary). The work featured in the article represents another primary mandate of their interinstitutional project: the transdisciplinary implications of design as a general form of practice as opposed to the historical definitions of ‘architecture’ or the architect. Copyright © 2006 John Wiley & Sons, Ltd.     

Parametric modeling simulation for an origami shaped canopy

This study perceives the developing process of a parameterization modeling in Grasshopper® for complex surfaces using building simulation, considering Annual Average of Hourly Radiation as the key-variable. The major goal of this article is to create, simulate and analyze through factorial analysis a modular canopy, based on Origami. The methodology applied consisted of the selection of the form, canopy parameterization, factorial analysis and simulation for radiation. Ladybug®, together with EnergyPlus™, were used to carry out the simulations. The object of study was the process of creation of a canopy. In countries with hot and humid climates, such as Brazil, the roofing areas are critical parts of building envelopes, highly susceptible to solar radiation. The simulation was performed for a full year for Viçosa, MG (Latitude 20° 45 ′14 ″S, Longitude 42° 52′ 55″ W, Altitude 648 m), but due to parameterization, the canopy can be simulated anywhere else. As main results, the factorial analysis contributed for determining that the slope of the canopy was the most robust factor to the detriment of the cardinal and collateral orientations. For the best case scenario, the simulation generated levels of comfort of about 74.0% with 15.4% Hot and 10.6% Cold for natural conditioned spaces.     

Local Climates of the City

A specialist in urban effects on climate, particularly the heat island effect, Iain D Stewart is a Postdoctoral Research Fellow in the Department of Geography at the University of British Columbia (UBC). Here he describes how the emergence of ‘borderless’, ‘patchwork’ and ‘polynucleated’ cities has led climatologists to develop a new classification system of urban landscapes. The system divides cities into local climate zones (LCZs) according to their surface structure, cover, fabric and metabolism.     

Ann Pendleton-Jullian

Ann Pendleton-Jullian practises from Cambridge, Massachusetts, where she also teaches at MIT. This combination of teaching and practice allows her to consider the vital exchange between ideas and architecture that is evident in both her commissioned work and her theoretical projects. Her work has been cited for the manner in which it poeticises the intersection between pragmatic concerns and the ‘ambitions of the imagination’. Copyright © 2007 John Wiley & Sons, Ltd.     

Algorithmic Design

Maria Bessa provides a masterclass in algorithmic design, tracing the roots of the algorithm back to Aristotle and 9th-century Persia. She explores innovative contemporary examples of the application of the algorithm and highlights its potential for architects working intuitively in a way that will enable them to achieve a level of performance that was once only attainable at a post-design stage. Copyright © 2009 John Wiley & Sons, Ltd.     

Low-Tech Transgression: The Interventional Work of EXYZT

Alex Romer and Naïm Aït-Sidhoum define EXYZT's practice as one characterised by ‘transgressive forms’ and ‘construction devices’. They explain how this has come about through the studio's penchant for the loose conditions of leftover spaces – derelict urban sites or marginal spaces by the sides of roads and railway lines – which require the building of temporary structures in tight timetables on limited budgets.     

Architecture Autonomous (Gerard da Cunha)

Gerard da Cunha maintains his practice from the old Portuguese colony of Goa, which he considers has a novel history in that it was the site of the ‘first sustained encounter between the East and the West’. This encounter has engendered a unique culture and architecture that is evident in da Cunha's lively and rather Gaudíesque work. Copyright © 2007 John Wiley & Sons, Ltd.     

Biodiversity Targets as the Basis for Green Design

Mike Wells , the Director of Biodiversity by Design, and Ken Yeang outline the need for biodiversity targets in architecture to provide a more far-reaching basis for green design. Rather than just literally ‘greening’ a building by covering it with foliage, they seek to encourage designers to engage with wider ecological processes and in more specific detail. Copyright © 2010 John Wiley & Sons, Ltd.     

‘Happy Meals’: Finding Happiness with Hans Becker and the Humanitas Care Model

Hans Becker , originally a professor at the Erasmus School of Economics in Rotterdam, is a seemingly unlikely guru for elderly care. In 1992 he was appointed Chair of the Rotterdam-based housing association Humanitas with the task of overturning the outmoded and failing commercial model of its nursing homes. He set about replacing them with ‘apartments for life’ that promoted independent living. In order to understand more about the successful Humanitas model, David Birkbeck , Chief Executive of Design for Homes in the UK, interviewed Becker and found out how the move to a new housing type was enabled by a philosophical shift that placed an emphasis on the engendering of happiness among its residents – with food and the creation of convivial on-site restaurant facilities proving a critical tool.     

Exuberance,I Don't Know; Excess,I Like

Hernan Diaz Alonso redefines ‘excess’ and ‘exuberance’ on his own terms. Fully au fait and comfortable with the excessive, he describes how in relation to his own work he views excess as more of a tendency or a logic, which sums up his approach; whereas he perceives the exuberant as removed from the design process and more like an ‘adjective’, an ‘emerging quality’ observed by others. Copyright © 2010 John Wiley & Sons, Ltd.     

The ‘valley of ashes’ and the ‘fresh green breast’: metaphors from The Great Gatsby in planning New York

ABSTRACT

Visions in planning of what a city could or should be tend to be constructed around metaphors, rhetorical tropes that crystalize the image of a preferable future city. Such metaphorizations are never innocent: they draw on pre-existing cultural narratives and activate particular frames of expectation. This article examines two metaphors used in the planning of New York City, and its shores, in particular: the spectre of the ‘valley of ashes’ and the dream of the ‘fresh green breast’. These metaphors, taken from F. Scott Fizgerald’s novel The Great Gatsby (1925), appear time and again in the planning and thinking of the New York shoreline, from Robert Moses’s plans for Flushing Meadow to Major Bloomberg’s waterfront development and Eric Sanderson’s vision of a 2406 New York in Mannahatta (2006). This article examines how the metaphors of the ‘valley of ashes’ and the ‘fresh green breast’ have been adapted throughout decades of planning New York City to accommodate changing relationships, conflicts and ideals, always infused by a pastoral undercurrent that is already questioned in Fitzgerald’s novel.     

Recent History - Art In Ruins

Some two decades on, guest-editor Nic Clear returns to the work of Hannah Vowles and Glyn Banks of collaborative art practice Art in Ruins. As cited by Brian Hatton on their behalf in 1989: ‘in the city of the future everything will be historical (ie visited) for fifteen minutes’. Copyright © 2009 John Wiley & Sons, Ltd.