(Anti) Queer: Introduction

Thumbnail images depicting the face of a social actor were the most common type of image used in hard-news stories on the home page of the Sydney Morning Herald online (smh online), a high-circulation Australian daily broadsheet, between 2002 and 2006. While not all online newspapers use such images to the same extent as the smh online, close-up thumbnails of faces are commonplace on online newspaper home pages in general. This paper examines the use of these “thumbnail faces” on the smh online home page. Over four years (and across four page-design periods), these images were used more frequently, despite the fact that they function in a very different way to traditional hard-news images. Thumbnail faces cannot “tell stories”, nor “provide evidence”, but they play an important interpersonal role in individual news stories, collectively on the home page, and over time in the discursive relationship between the smh online and its readership.     

How to humiliate and shame: a reporter's guide to the power of the mugshot

The judicial photograph – the “mugshot” – is a ubiquitous and instantly recognisable form, appearing in the news media, on the internet, on book covers, law enforcement noticeboards and in many other mediums. This essay attempts to situate the mugshot in a historical and theoretical context to explain the explicit and implicit meaning of the genre as it has developed, focussing in particular on their use in the UK media in late modernity. The analysis is based on the author's reflexive practice as a journalist covering crime in the national news media for 30 years and who has used mugshots to illustrate stories for their explicit and specific content. The author argues that the visual limitations of the standardised “head and shoulders” format of the mugshot make it a robust subject for analysing the changing meaning of images over time. With little variation in the image format, arguments for certain accreted layers of signification are easier to make. Within a few years of the first appearance of the mugshot form in the mid-19th century, it was adopted and adapted as a research tool by scientists and criminologists. While the positivist scientists claimed empirical objectivity we can now see that mugshots played a part in the construction of subjective notions of “the other”, “the lesser” or “sub-human” on the grounds of class, race and religion. These dehumanising ideas later informed the theorists and bureaucrats of National Socialist ideology from the 1920s to 1940s. The author concludes that once again the mugshot has become, in certain parts of the media, a signifier widely used to exclude or deride certain groups. In late modernity, the part of the media that most use mugshots – the tabloid press and increasingly tabloid TV – is part of a neo-liberal process that, in a conscious commercial appeal to the paying audience, seeks to separate rather than unify wider society.     

From page to virtual stage: a socio-semiotic reading of stage directions

ABSTRACT

The interrelatedness of text and performance is a feature of semiotic approaches to drama. Because of their relation to performance and to social life, dramatic texts are among the most complex texts. A dramatic text creates an imaginary world which is “staged” in readers’ imaginations. Clarifying the playwright’s vision and facilitating transformation of the play from text to performance, stage directions are key components for the interaction with readers and spectators. Stage directions act as useful interventions which lead the readers to the world of the play and guide them to imagine the three-dimensional stage space. The receivers of the dramatic text complete their semiotization through adding their own interpretation to a virtual performance which they then place against any performance they see. This paper investigates how stage directions function as a focalizing element of the text which are important to the interpretive possibilities of a play. The paper probes how stage directions can be illuminated by the sensitive application of socio-semiotics to the encoding of motifs and stage imagery in dramatic texts as a meeting point of life, culture and imagination that generates meanings which are highly sensitive to receivers’ social and cultural backgrounds. Examples from stage directions as an integral part in the plays of Sam Shepard, an American writer, will be the focus of the analysis.     

An imaginary orthodoxy — a reply to Laurence Harris

The view that world religions contain inherent implications for economic and political action is examined and criticised. Some of the inherent implications attributed to Islam are reviewed. Various authors have attributed contradictory implications to Islamic doctrines. This is because they have referred to different parts and aspects of Islamic religion and society, which like all other complex religions and civilisations have manifested a great variety of forms. The historical development of Islam is divided into three stages and these are in turn related to the economic and political processes basic to all pre-capitalist empires. Patterns of economic and political activism are related to the conditions prevailing at the different stages and to the religious formations within Islam. In particular, it is argued that the failure of the bourgeoisie of Muslim cities to achieve political autonomy and dominance (in contrast to their Western European counterparts) is not a consequence of religious attitudes favouring passivity, but results from the position of these classes in relation to the State and the dominant military classes.     

“Ceaseless Poverty”?

Abstract

Looking at Dickinson and Hölderlin, this essay begins by exploring the idea of the poetic dimension of existence and its relation to the image, or more precisely, to the capability to disclose into images. For Dickinson the relentless “poverty” of a non-poetic existence indicates that what is missing from such existence are not just images but the capacity for their “disclosing” - the poetic gift or aptitude. With the help of Heidegger’s essays on poetry and poverty, I invert this relation between image and poverty to show that, even though the inceptive character of the poetic word and the element of poetic dwelling it allows to emerge appear poor in comparison to images or concepts, it is the poetic word that for the very first time lets humans dwell. Although it can neither boast the richness of “pictures” nor the strength and precision of conceptual comprehension, the poetic is what opens up the world for humans and simultaneously opens their being to its characteristic manner of inhabiting this world.     

Paint It Black: Black Blocs,Tute Bianche and Zapatistas in the Anti-globalization Movement

Throughout the ages there has prevailed a distressing symbiosis between religion and violence. The histories of Christianity, Judaism, Hinduism, and Islam are heavily laced with internecine vendettas, inquisitions, and wars. Again and again, religionists have claimed a divine mandate to terrorize and massacre heretics, infidels, and other sinners. Some people have argued that Buddhism is different, that it stands in marked contrast to the chronic violence of other religions. But a glance at history reveals that Buddhist organizations throughout the centuries have not been free of the violent pursuits so characteristic of other religious groups. In the 20th century alone, from Thailand to Burma to Korea to Japan, Buddhists have clashed with each other and with non-Buddhists. In Sri Lanka, huge battles in the name of Buddhism are part of Sinhalese history.     

Picture–text congruence in translation: images of the Zen master on book covers and in verbal texts

The study aims to demonstrate how cover pictures and verbal texts are congruent with each other in presenting the Zen master Huineng in two English translations of the Platform Sutra. The focus is on the interpersonal/interactive meanings and the analytical tools adopted are systemic functional linguistics and Kress and van Leeuwen’s visual social semiotics. Results show that the visual techniques employed to depict Huineng on the book covers are in consistency with the verbal choices adopted to present Huineng in the translated texts. While the medium to close shot and eye-level angle complement the choice of speaker-plus “we” as dominant interactive subject person, and qualified statements and polite suggestions/commands in Wong’s translation, the very long shot matches the use of speaker “I” and addressee “you”, and categorical statements and direct commands in Cleary’s translation. In this way a consistent image of Huineng is presented in each translation: friendly and willing to be close to the viewer/audience in Wong’s translation, but authoritative and distant in Cleary’s translation.     

Religious extremism: The good, the bad, and the deadly

This paper challenges conventional views of violent religious extremism, particularly those that emphasize militant theology. We offer an alternative analysis that helps explain the persistent demand for religion, the different types of religions that naturally arise, and the special attributes of the “sectarian” type. Sects are adept at producing club goods – both spiritual and material. Where governments and economies function poorly, sects often become major suppliers of social services, political action, and coercive force. Their success as providers is much more due to the advantages of their organizational structure than it is to their theology. Religious militancy is most effectively controlled through a combination of policies that raise the direct costs of violence, foster religious competition, improve social services, and encourage private enterprise.     

Coverage of bombings for political advantage: Turkish on-line news reporting of the 2016 Ankara attacks

On 17 February 2016, a suicide bomber blew himself up, killing 28 people and injuring another 61 in the “heart” of Turkey’s capital Ankara. A few hours after the attack, the Turkish government blamed Salih Neccar from the (mostly) Kurdish-Syrian People’s protection Unit (YPG). Two days later, the Kurdistan Freedom Hawks (TAK) claimed responsibility and named the bomber as Abdülbaki Sömer a Turkish citizen. The bombing is part of a resumption of violence in Turkey between Turkish government authorities and Kurdish groups. In this paper, we examine how on-line news stories recontextualise the bombing. We assert that news sources multimodally recontextualise the bombing in ways which are advantageous to the news organisations’ owners, political alliances and supporters. By each news source representing their political interests unquestionably positive and opposition unconditionally negative, polarisation in Turkish politics is articulated. This does nothing to solve problems and heal wounds in a time of national crisis.     

A framework for the multimodal analysis of online news galleries: What makes a “good” picture gallery?

The development of digital technology in recent years has led to a revolution in news production and dissemination. In terms of production, we have witnessed a fundamental shift towards visual story-telling. Images dominate the verbal story space and have the potential to become the story themselves. Beyond this, they are also creating unique spaces for themselves (e.g. the online news gallery), with new multimodal genres posing challenges for practitioners and analysts alike. The potential effects of such fundamental shifts on the professional news story-telling practices of the legacy news media provide a rich research opportunity for understanding both how and whether news organisations fulfil their mandate of making sense of the plethora of information that is now available. In this paper, we concern ourselves with one particular innovation in visual news reporting – the online news gallery, or picture gallery in journalism terms. We report on a qualitative analysis of 35 galleries from 12 English-language newspapers with online presence from Europe, North America, Australia and Asia, and interrogate the choices made by institutions in composing this particular type of multimodal “text”, as it is situated in a professional, news story-telling context. In doing so, we explore how a systemic-functional semiotic approach to multimodal news discourse may help us to access the meaning potential of this emerging genre as a vehicle for multimodal digital news reporting, present a framework for the multimodal analysis of online news galleries and consider its implications for the education of media practitioners.     

The Party Faithful: Partisan Images,Candidate Religion,and the Electoral Impact of Party Identification

We argue that the factors shaping the impact of partisanship on vote choice—“partisan voting”—depend on the nature of party identification. Because party identification is partly based on images of the social group characteristics of the parties, the social profiles of political candidates should affect levels of partisan voting. A candidate's religious affiliation enables a test of this hypothesis. Using survey experiments which vary a hypothetical candidate's religious affiliation, we find strong evidence that candidates’ religions can affect partisan voting. Identifying a candidate as an evangelical (a group viewed as Republican) increases Republican support for, and Democratic opposition to, the candidate, while identifying the candidate as a Catholic (a group lacking a clear partisan profile) has no bearing on partisan voting. Importantly, the conditional effect of candidate religion on partisan voting requires the group to have a salient partisan image and holds with controls for respondents’ own religious affiliations and ideologies.     

Religious Conflicts in Cyberage

The rise of the Internet has a profound impact on the way conflicts are carried out and the faithful practice their religions. This article explores new dimensions of religious conflicts by theoretically reflecting on new developments in cyberage and by substantiating this with an empirical case study—the Moluccan conflict (Eastern Indonesia). Due to the exponential growth of Internet access worldwide, religions and their followers are increasingly expanding into the online world as a new “marketplace” for religious symbols and identities that fosters religious transnationalism. At the same time conflict actors worldwide have been making increasing use of the Internet to expand their networks, plan actions and fight their enemies. While scholars have so far primarily focused on more globalized online terrorism, this paper analyses a conflict that has mainly been fought out between Christians and Muslims in a remote part of this world, but then expanded into cyberspace. Local conflict actors have used the Internet as a global stage for their cause, to connect to and seek support from their transnational religious communities, but also to manipulate the outside world's perception of the Moluccan conflict. Researching the online projects and identity politics of these actors and their offline contexts, it becomes clear that the Internet has helped to essentialize (religious) identities and to influence the conflict at the local level through the networking and mobilization of people worldwide.     

Denationalization of Citizenship? The Turkish Experience1

Turkism as a political project aiming at the construction of a Turkish national identity was spelled out in 1904. The realization of this project included processes of assimilation and exclusion of non-Turkish and non-Muslim “others”. There was also an attempt on the part of the Republican elite to construct oblivion in the society about the multicultural Ottoman past in order to constitute a Turkish national identity. Hence, Turkish citizenship emerged as membership to a national state defined on the basis of a single religion (Sunni sect of Islam) and single language (Turkish). The increasing visibility of the non-Turkish and non-Muslim identities in the 1990s unleashed a process of denationalization of citizenship. Denationalization of citizenship gained momentum after Turkey's official candidacy in the European Union in 1999. Many reforms were undertaken in the parliament towards the utilization of languages other than Turkish as well as the practice of multiple religions. These reforms were upheld by the activities of civil societal organizations in order to portray the presence of multicultural identities in Turkey. Unless reversed by a nationalist backlash, these processes point to the denationalization of citizenship in Turkey.     

Secularism vs. Post-Secularism: A Critical Examination of Cooke’s Post-Secular Alternative

In recent work, Maeve Cooke has criticised Jürgen Habermas’s post-metaphysical model in order to motivate an alternative “post-secular” conception of the state, which involves the replacement of the “institutional translation proviso” with the “nonauthoritarian reasoning requirement”. I provide a qualified defence of the Habermasian model by arguing that it does not lead to the kind of negative consequences regarding legitimacy and solidarity Cooke attributes to it. This, in turn, means that Cooke’s proposal for the secular foundation of political authority on a post-secular basis is insufficiently motivated. In the process, I argue that the point of departure for the debate about religion in the public sphere shared by both Habermas and Cooke – the picture of the “total” religious citizen – should be rejected because it presupposes an overly simplistic view of religions and religious identities.     

Understanding the effects of religious attendance on political participation among ethnic minorities of different religions

In the United States, active church membership among ethnic and racial minorities has been linked to higher political participation. In Europe, the influence of religious attendance on political mobilisation of ethnic minorities has so far been little explored, despite the heated public debate about the public role of religion and particularly Islam. This study uses the 2010 Ethnic Minority British Election Study to theorise the relationship between religious attendance and political participation of ethnic minorities in a European context and extend existing theories to non‐Christian minority religions. The article shows that despite a significantly different context in which religion's place in political life is more contentious, regular religious attendance increases political participation rates of ethnic minorities. Some possible explanatory mechanisms are tested and an important distinction is introduced between those mechanisms that mediate, and those that moderate the impact of religion. The study finds that British minority churches and places of worships vary in how willing and effective they are in politically motivating their worshippers, and concludes that this relates to the political salience of certain religions within the United Kingdom context.     

Journalism ethics and Levinas' Third: interruption in a world of multiple Others

This paper develops a theory of journalism ethics centered on the concept of interruption. Interruption provides a space in which the “Other” can speak; an instance in which those with whom we have no other contact but through news media can disrupt us. While steeped in Levinasian philosophy, the theory of journalism ethics developed here challenges some of its key tenets: unlimited responsibility for the Other and the single passive ethical imperative “interrupt me.” In a world inhabited by a multitude of others, a dogmatic reading of Levinas cannot foster a “community of interruption” in which the news media play a crucial role. Ultimately, to achieve such a community, the “Third” (the Other's other) must be privileged over the Other and the passive ethical imperative requires a complementary active imperative best stated as “let me interrupt!”     

Hollywood and the Spectacle of Terrorism

As terrorist actions, both state and non-state, have spread in both frequency and destructive power since the 1960s, the topic has become an enduring source of narratives, fantasies, and myths that have contributed to Hollywood filmmaking with its familiar emphasis on international intrigue, exotic settings, graphic violence, and the demonization of foreign threats. Images of political violence have a strong appeal in the US, where the gun culture, civic violence, crime sprees, and a thriving war economy permeate the landscape. The al Qaeda attacks of 9/11 heightened public fascination with terrorism, fueled by mounting fear and paranoia, and this was destined to inspire a new cycle of films in which on-screen terrorism dramatizes elements of real-life threats that now include possible weapons of mass destruction. The “war on terror,” driven as much by US strategy to reconfigure the Middle East as by the events of 9/11, serves as the perfect backdrop for film industry productions of violent high-tech spectacles, now a major staple of media culture. For cinema as for politics, the “Middle East” now exists as a mystical category largely outside of time and space, a ready source of dark fears and threats. At the same time, corporate-driven globalization, viewed as a cultural as well as economic and political process, feeds into modern terrorism as political violence (including militarism) sharpens its capacity to attack, disrupt, and surprise—the same features now so integral to the Hollywood film industry. We see jihadic terrorism as not only a virulent form of blowback against US imperial power but as possibly the darkest side of neo-liberal globalization.     

News Management and New Managerialism

Abstract

This article examines the public communication activities of “Quangos” (Quasi-Autonomous Non-Governmental Organizations). These non-elected organizations fulfill diverse public functions-such as, providing services, advising policy makers, regulating other institutions, representing the interests of certain social and cultural groups, supporting private enterprise, and promoting pro-social values and practices.

Focusing mainly on news management strategies in the sector, the article shows that the popular image of quangos as highly introverted organizations needs revision, and that many place considerable emphasis on public communication issues. However, this recognition contextualises rather than invalidates concerns about accountability within this tier of government, as publicity activities in the sector are geared towards facilitating the external promotion of organizations' roles rather than scrutiny of their conduct.     

Social Influences on Online Political Information Search and Evaluation

Americans are turning to the Internet to learn about politics in greater and greater numbers. Under the current “Web 2.0” paradigm in which users are encouraged to interact with online content, voters encountering political information on the Internet are typically exposed to more than just the news; online information is often colored by the reactions of previous readers, whether in the form of displayed comments or in readily apparent tallies of the number of “likes” or “shares” a particular item has received. In this paper we consider the effect these social cues have on online political information search and evaluation. Using processing-tracing software to monitor the patterns of information search and evaluation among our subjects, we find that social cues can function as a heuristic, allowing voters to reach judgments similar to those of their more informed counterparts. However, we also find that negative cues can adversely influence candidate evaluation, making subjects less disposed to a candidate than they would be in the absence of such signals.     

Spectacles of military urbanism in online representations of the Elite Squad of the military police of Rio de Janeiro: a multimodal approach

This paper presents a multimodal analysis of online self-representations of the Elite Squad of the military police of Rio de Janeiro, the Special Police Operations Battalion BOPE. The analysis is placed within the wider context of a “new military urbanism”, which is evidenced in the ongoing “Pacification” of many of the city's favelas, in which BOPE plays an active interventionist as well as a symbolic role, and is a kind of solution which clearly fails to address the root causes of violence which lie in poverty and social inequality. The paper first provides a sociocultural account of BOPE's role in Rio's public security and then looks at some of the mainly visual mediated discourses the Squad employs in constructing a public image of itself as a modern and efficient, yet at the same time “magical” police force.